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More awareness of hemp foods and their nutritional value are needed to help South Australia’s budding industry blossom, growers and processors say.
Hemp producers say the industry needs support to develop markets
SA has issued 19 cultivation licences and two processing licences for industrial hemp
An ecovillage builder says demand for hempcrete as a building material is rising
Farmers across the state are expecting to their biggest yield yet after the cultivation of the crop was legalised in 2017.
But some doubt the the state government’s prediction that the industry’s farm gate value would reach $3 million within five years without more support for market development and consumer education.
“We need more awareness about the actual product itself, whether it be hemp oil, hemp flour, the hemp seed, on a consumer level,” south-east grower Steven Moulton said.
“Just to be able to build the industry, we need to get it in shopping bags in Australia, basically.
Hemp foods sold in Australia contain no or very low levels of THC (the psychoactive substance found in marijuana) and their nutritional values are well documented.
Food Standards Australia New Zealand notes hemp seeds contain protein, vitamins, minerals and polyunsaturated fatty acids including Omega-3 fatty acids, but do not have the therapeutic effects of other cannabis extracts.
Seed processor Mick Anderson turns the farmed product into a variety of edible products, including cold-pressed hemp seed oil, hulled hemp seed, protein powder and hemp flour.
The problem, he said, was getting people to buy them.
“We have a limited market at this stage,” Mr Anderson said.
Mr Anderson said much had been learned over the past three years.
“When we started out we had to go to farmers and ask if they were willing to grow the crop — no one knew anything about it,” he said.
“Farmers are naturally quite conservative, so they wanted to see how the neighbours was going first before they committed.
“We had quite a big task to sell it to them.
Slow but steady
The industry has grown from 10 cultivation licenses and two processing licenses issued in 2018 to 19 cultivation licenses in 2020/21.
Mark Skewes from the South Australian Research and Development Institute said some farmers were reluctant to grow hemp because it was new to the the state and it came with its own challenges.
“It’s different to the crops that people have been growing,” he said.
“It’s not a legume, it’s not a vegetable, it’s not a cereal — its something different and it does have its own little quirks.”
But for early adopters like Mr Moulten the leap of faith has paid off.
“It’s an ongoing learning process, starting off not knowing a thing about growing industrial hemp,” he said.
“But we aren’t afraid to give things a go and at this stage it is looking pretty positive.
Ecovillage builder Graeme Parsons said interest in hempcrete – noted for its insulative and fire-proof properties, was growing rapidly.
But availability was an issue, he said, because the product still had to be imported into the country.
He believed interest in the was growing because of hempcrete’s insulation and fire-proof properties.
Hempcrete is made from the inner part of the hemp stalk, the hurd, mixed with lime and water and resembles mortar once it’s dry.
Mr Parsons said there was little knowledge about how to work with the product, though a handful of dwellings had been built with the material in Australia.
“It is very much a new building material with respect to Australia, although it has been used in Europe – in particular France and England – for the last 30 or 40 years,” he said.
SA seed breeders, however, have focused on maximising crops for food production.
Those plants don not easily transfer to also producing industrial hemp for building materials.
“In theory it would be possible,” Mr parsons said.
“So you look for low, multi-branching varieties that would make it easier to the harvest the seeds with fairly conventional equipment.”
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One man has been charged with assault and two men are in hospital after a stabbing incident in Adelaide’s northern suburbs early this morning.
Police responded to reports a man had been stabbed early this morning
A man police suspect of the assault was himself allegedly assaulted
The man accused with the latter assault will face court late next month
Police were called to May Terrace at Ottoway about 1:30am, responding to reports a man had been stabbed.
A police spokesperson said a 35-year-old man was found with stab wounds at the scene.
Police allege that a 37-year-old man, whom they suspect of the stabbing, was assaulted by a third, 36-year-old man.
The first two men were taken to the Royal Adelaide Hospital.
Police said they were both in a serious but stable condition.
The third man was arrested and charged with assault causing serious harm.
He was granted bail and will appear in the Port Adelaide Magistrate’s Court on March 30.
Police said all three men are known to each other, and they would speak to the two injured men when it is medically appropriate.
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Thinking about how to end the world for her 2014 novel, Station Eleven, US writer Emily St. John Mandel decided on a pandemic. Hers was a fatal flu that killed 99 per cent of those infected but the eerie parallel has made her in demand during the past year.
Speaking on the opening morning of Writers’ Week, streamed into the Pioneer Women’s Memorial Garden from wintry New York, Mandel says she at first resisted the rush of requests to write or speak about pandemics.
“I had this queasy feeling that if I said ‘yes’, and sort of leaned into it, it would seem like I was monetising the pandemic to sell copies of Station Eleven, which I found gross,” said Mandel whose novel follows a troupe of actors surviving in a post-apocalyptic world.
“But after about a week, I thought ‘this is really silly, of course people want to talk about pandemics, we are in this wild historical event’ so I’ve been talking about pandemics for a year and it’s fine.”
But writing about a pandemic was no preparation for the real thing. With a new book, The Glass Hotel, released into the shutdown last March and a 25-city promotional tour cancelled, coping with the daily problems felt very new. New York at the start of the pandemic was also a difficult place to be and it was too stressful to write with 700 people a day dying and a background of ambulance sirens.
“It was this constant soundscape, all through the day and night, and at any given moment you would be hearing more than one at a time from different directions,” she said.
Australian writer Laura Jean McKay, who also streamed into the event from her home in New Zealand, was researching pandemics for her book, The Animals in That Country – winner of this year’s Australian prize for literature – when she fell ill with an obscure disease caused by a mosquito bite.
“The pandemic was a plot device at first, I needed a lot of people in my novel to get sick all at once,” she said. “But there was a parallel to that in that I became sick at the same time.”
Stricken with arthritis, eye lesions, and with the skin peeling from her body, illness permeated her novel.
“We became sick together, as I became sicker the characters became sicker too,” she said, although her pandemic’s primary symptom was a novel ability to communicate with animals. “It helped me to understand what the characters were going through.”
Mandel said she hoped some of the COVID precautions would endure when the pandemic was over.
“We used to shake hands with strangers during flu season, did that ever make sense?” she said. “It’s so hard to imagine a return to normalcy in New York, although it’s better than it was. I’m watching all these people (in Adelaide) gathering in one place and not wearing masks and it feels science-fictional, I have to say.”
Julia Gillard’s rockstar session yesterday – which ended in a two-hour book signing – strained the limits of COVID protocols with social distancing all but impossible and largely ignored.
Julia Gillard told the crowd she was appalled by the Government’s handling of rape allegations against a staffer. Photo: Tony Lewis/InReview
Writer’s’ Week director Jo Dyer asked audiences to “keep Nicola happy” and said later Gillard’s session, where she talked about her book on leadership Real Lives, Real Lessons, would be the largest of the week.
“We are making more announcements from the stage before each session asking people to socially distance,” she said.
Gillard, Australia’s 27th Prime Minister, did not disappoint and confessed she almost called her book She’s a Bit of a Bitch, but her co-author, Nigerian economist Ngozi Okanjo-Iweala, who was this month appointed Director-General of the World Trade Organisation, said no.
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Gillard, the inaugural chair of the Global Institute for Women’s’ Leadership at Kings College which has opened a base at ANU, spoke first about the rape allegations made by Brittany Higgins and the Morrison Government’s response. On the day after South Australian federal Liberal MP Nicolle Flint said she would leave politics because of the toxic gendered politics, Gillard said there were special factors within Parliament House that put women at risk, including the way in which staffers were employed.
“There is the fact that you go to this place, physically remote from your home and you are there for astronomically long hours,” she said. “Then there is the question of patronage in the political system.”
Gillard, who said she was appalled by the Government’s handling of the Higgins allegations and its aftermath, offered to assist an independent inquiry into workplace culture at Parliament through the ANU.
“We are in the middle of an incredibly important and revealing discussion and one that I hope is a huge impetus for change,” she said.
Check InReview each day this week for our reports from Writers’ Week.
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Residents in the Adelaide electorate of Boothby have expressed sadness Liberal MP Nicolle Flint will not recontest her seat at the next election, lamenting the prevalence of sexism directed at female politicians.
Ms Flint announced yesterday she will not re-nominate for the seat, one of the Morrison government’s most marginal electorates.
The second-term MP has previously spoken out about sexist abuse she has suffered since becoming an MP, including being targeted by a male stalker and having her campaign office defaced with graffitied words “skank” and “prostitute”.
Her announcement comes amid the fallout from Brittany Higgins’s allegation a Liberal staffer raped her in a ministerial office and as an unnamed serving Cabinet Minister is accused of a historical rape.
The Prime Minister acknowledged Ms Flint’s “efforts to stand against the bullying and nastiness of particular groups and individuals” in a statement yesterday.
Boothby electors said today that Ms Flint was a hard-working local member and many were saddened by her departure.
“I think she’s a great local member.”
Leigh Fopp said Ms Flint had been a responsive and hardworking MP who was actively involved in her community.
“She’s really good to work with,” the Boothby elector said.
“She communicates with us, she returns emails … I think it’s a real shame [Ms Flint is not recontesting],” he said.
Resident Warren Lloyd said he was “very sad really because I think she’s a good representative of the electorate”.
“She’s leaving through no fault of her own.”
Last year, Ms Flint posted a video to Twitter wearing a garbage bag and calling out sexist “rubbish” that she and other women in politics are forced to deal with
It was a reference to ABC radio host Peter Goers, who wrote a column criticising the glossy brochures issued by MPs, at taxpayers’ expense, to their constituents.
In his column, for The Advertiser, Mr Goers referenced Ms Flint’s “pearl earrings and a pearly smile” and “vast wardrobe of blazers, coats and tight, black, ankle-freezing trousers and stiletto heels”.
Flint’s departure leaves Liberal Party more vulnerable in marginal seat
Nicolle Flint was re-elected on a slim margin of 1.4 per cent to the suburban seat of Boothby, just south of Adelaide’s CBD, in 2019.
Flinders University politics expert Dr Rob Manwaring said Ms Flint’s exit would harm the Liberal Party’s chances of retaining the seat.
He said it was also a significant blow to efforts to improve women’s representation in the Coalition and in Parliament more generally.
“Many senior Liberal women have spoken out about some of the problems within the culture of the party,” Dr Manwaring said.
He said it remained a tough ask for the Labor Party to flip the electorate, which successive Liberal MPs have held since 1949.
“On the one hand, the Liberal Party have an incumbent which they’ve lost [so] it’s much harder for a new candidate to get traction,” Dr Manwaring said.
“[It] makes it much more difficult now for the government to built momentum and hold onto [and] secure a majority.
“[But] the Labor Party has not won the seat in its various different forms since the second world war. They will see this might be a change or an opportunity, but it still seems a hard ask.”
The Coalition was last week reduced to governing by a one-seat majority when Craig Kelly shifted to the crossbench.
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The light aspects of its story, with mishaps and a play-within-a-play, offer desirable if temporary relief from some of the bad news that is about us these days. Griefs might be put aside for the three hours of a show that asks us what is dream and what is real while toying playfully with ideas of love and desire, albeit quite repressed.
Two obvious aspects of a staged operatic performance demand attention. Firstly, of course, the sound – voices and music – and, secondly, the set. Armfield’s dog features in the play, incidentally, though in a non-singing role (a hit with the audience, nonetheless).
The young and well-credentialled US counter-tenor Aryeh Nussbaum Cohen plays Oberon, King of the Fairies. His singing is finely pitched and phrased throughout, though the choice of a counter-tenor for this role will possibly surprise some opera-buffs expecting something a bit more gruff.
Rachelle Durkin swishes elegantly in a long-trained gown, and her soprano is power incarnate. She has a stage presence well-suited to Tytania, Queen of the Fairies. Among the love-crossed humans, soprano Leanne Kenneally (as Helena) stands out with control and purity of tone.
Mark Coles Smith plays Puck, the narrating link rather than a singer, who acts as the energetic and engaging sprite serving Oberon. And with mostly acting rather than singing in mind, the Mechanicals are a pleasure to watch, especially when the human characters converge at the end. Warwick Fyfe as a weaver and, importantly, as the magic-afflicted Bottom earlier on, is a booming comical character in this group. Teddy Tahu Rhodes (Theseus, Duke of Athens) and Fiona Campbell (Hippolyta, Queen of the Amazons) also feature here.
Photo: Tony Lewis / Adelaide Festival
Paul Kildea conducts the Adelaide Symphony Orchestra, with the Young Adelaide Voices (as the Chorus of Fairies). The score is full of abrupt ta-da embellishments as if to ensure the listener will not miss a humorous line or to draw attention to a bit of slapstick. In that respect, it could be almost vaudevillian, the musical equivalent of a flourish in a magic show, and is a reminder of the play’s origins as a fun piece performed in the round to an audience of all kinds. The Chorus of Fairies adds vital atmosphere. Directed by Christie Anderson, their choreographed movements, voices and costumes are “enchanting”.
The set evokes a submarine world as much as a fairy dell. Constantly billowing plastic is a distraction, though it has immediate value on occasions when characters need to hide. It is meant to suggest the moving layer between worlds of dream and wakefulness. The backdrops are well-made, if lacquered in appearance. The whole effect is a bit too much of a green shower curtain rather than a natural world.
Oberon’s constant form of transport (no spoiler) is intriguing, too. The logic of it makes some sense since it conjures qualities one might associate with a fairy, but it is cumbersome and draws attention from the singing.
Thanks are due to Damien Cooper for the way that shadows and light are used so effectively; it is carefully nuanced work.
The story of A Midsummer Night’s Dream is often played with a more overt erotic edge than in this production, which is wink-wink / nudge-nudge in that regard. Why it should be so coy is hard to fathom, especially when true love and pairing off are at the heart of the plot.
Photo: Tony Lewis / Adelaide Festival
In the end, one has to ask whether this production is particularly novel and whether it is satisfying. The answer? While not especially compelling, the opera doubtless has some highlights. The singers are polished in performance and Aryeh Nussbaum Cohen is memorable. On the other hand, casting a counter-tenor as Oberon prompted several querulous comments after the show.
Pitched as one of the big look-forward-to productions of the 2021 Adelaide Festival, A Midsummer Night’s Dream is indulgent and provocative. Maybe that combination is just what some opera buffs will relish.
A Midsummer Night’s Dream is being presented again on February 28 and March 2-3 at the Festival Theatre. It is a co-production with the Houston Grand Opera, the Lyric Opera of Chicago, and the Canadian Opera Company and Adelaide Festival, in association with Adelaide Symphony Orchestra.
Read more Adelaide Festival stories and reviews here.
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This article is supported by the Judith Neilson Institute for Journalism and Ideas.
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What can we do with Australia’s property market, with soaring prices and rental shortages in many regional areas of Australia, from WA’s Pilbara to Hobart in Tasmania?
Experts warn housing inequality and intergenerational poverty is increasing in Australia
They say urgent action is needed to mitigate the COVID-led crisis in housing
There are calls for a national housing policy involving all levels of government
While more than 60 per cent of Australians own their own home, Australian Bureau of Statistics data shows home-ownership rates for people aged under 40 are declining, part of a trend of intergenerational inequality and a growing gap between the haves and have nots.
Building more houses is often given as the answer to easing housing stress in areas of high demand but it’s not that simple, argue the four housing policy and economic experts the ABC spoke to.
Here are three policy areas they suggest Australia needs to address if we want to solve the housing crisis.
A national housing policy
One housing policy expert said Australia had not had a national strategy since World War II, and the federal government needed to act quickly to form one and not leave it up to the states.
Professor Pawson, at the City Futures Research Centre UNSW, went on to say: “We don’t necessarily need to spend more money on housing as a country, we need to spend more smartly”.
“We have to measure the problem and commit to a strategy which addresses what we find.”
We also need to have “brave conversations” according to Swinburne University Professor of Housing Policy, Wendy Stone, who said just building more housing did not help to address inequality.
She pointed to Australians generating their wealth from housing, and said we should explore “setting boundaries” around that investment.
“How can we retain existing housing stock in regional areas for housing and home, rather than so much of it being held as vacant investment or being used as tourism investments?” she said.
“We need some urgency to establishing some parameters to reduce spiralling inequality.”
She argued a limit of how many properties any one person could own could help keep house prices lower and could take the pressure off rental shortages — especially as the federal government’s COVID support measures come to an end.
What about rental relief?
Professors Stone and Pawson argue that in the short term, the federal government needs to keep COVID emergency interventions such as JobKeeper. and rental eviction moratoria to prevent thousands of people becoming homeless.
“What we can see in our data and our analytics, is that a very large number of households are still heavily dependent on these crisis COVID response mechanisms and it is absolutely premature to withdraw these mechanisms,” Professor Stone said.
A recent survey conducted by Professor Pawson’s team estimated 75,000 tenants across Australia had accrued rent debt and he argued the Australian economy was yet to feel the full impact of COVID shutdowns.
“By the middle of this year, we may see some of that sort of stored up trouble … we know that at least a quarter of renters did lose income,” he said.
Rachel Ong ViforJ, Professor of Economics at Curtain University, said she would like to see rental reform for longer-term change, including increasing the Commonwealth Rent Assistance, and making sure it was better targeted to those who need it.
“Another major issue has to do with tenure security within the private rental sector,” Professor Ong ViforJ said.
“More Australians are renting, including older Australians. However, Australia’s private rental sector is lightly regulated and landlords are allowed ‘without-grounds’ lease termination.
“If the government can implement policy reforms that would make home ownership more affordable, that would also free up some rental properties as some renters became homebuyers.”
Subsidise home buying, like Singapore?
Economist Cameron Murray said there was little political will to act to decrease housing prices, particularly among households that use property as investment.
“The political reality is that we want higher and rising house prices, it’s a political winner and doing something to stop that is political suicide,” he said.
“Australian housing is worth about $7 trillion and a policy that effectively reduced the price of housing, even 20 per cent would wipe off $1.5 trillion of value from those 70 per cent of households who own their own home.”
Dr Murray said in the next 20 or so years as the Baby Boomer generation died, more houses would be moved through the market as inheritances were divided and sold, but that would not be leaving everyone with a house.
Increasing stock in social housing should be part of a national housing policy, said Professor Pawson, who pointed out that Australia’s social housing numbers had remained stagnant over the years despite a growing population, meaning its capacity to house those in need had reduced over the years.
Professors Stone and ViforJ agreed that increasing social housing stock was needed to help those most in need of secure housing, but Dr Murray said perhaps Australia should rethink its whole approach to subsidising housing.
He pointed to Singapore where about 80 per cent of the population was able to buy a subsidised home through the government.
“To me, Singapore’s public housing model is probably one of the best interventions,” Dr Murray said.
“It’s essentially a public, subsidised doorway to get into the market.”
Without change, inequality will grow
House prices and rising rents are a major problem if you are a renter who can’t afford to buy a house, but are probably not your concern if you own property.
However, all four experts warn that if we let housing inequality continue to grow unabated, it will affect everyone.
“A continual upward trend in house prices that outstrip wage growth should be a concern for homeowners, especially those carrying a mortgage,” Professor ViforJ said.
“Highly indebted homeowners are more likely to fall behind on mortgage payments if they were, to say, become unemployed or go through a period of financial difficulty.”
Professor Stone said if the federal government did not do more to balance the housing market, Australia would have an “increasing pool of losers and a smaller, wealthier group of property winners”.
“Without intervention we will see an increase in homelessness.
“We know that an unequal society with a high degree of economic polarisation is going to undermine our economy in the longer term.”
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A project to create 12,000 homes in Adelaide’s northern outskirts will drive unnecessary urban sprawl, according to the SA Greens — but the billionaire developer behind it says it will help improve housing affordability at a time of record prices.
The $3 billion project will involve the construction of 12,000 homes
The developer says it will open up affordable housing on Adelaide’s northern fringe
The Greens say the project is in a flood-prone area
After more than a decade of planning, work is now going ahead on the Walker Corporation’s Buckland Park project near the towns of Virginia and Angle Vale and their surrounding market gardening communities.
The corporation said the $3 billion project, called Riverlea, would create the state’s “largest master-planned community” and assist with “post-COVID economic recovery”.
But the project has attracted criticism since its inception, because of its proximity to the flood-prone Gawler River and concerns over urban sprawl.
Developer and executive chairman Lang Walker said the intention was to create a community that would drive economic growth outside of Adelaide’s CBD.
“Not everyone’s going to be working in the CBD. We’ve got another very large industrial estate out there in the vicinity,” he told ABC Radio Adelaide.
“This will generate self-employment in that whole region itself. It’s a community within a community.
“This project has a life of 20 years, maybe 25 years, and that brings shopping, it brings 10,000 jobs over the period of the house-building and all the trades.”
Adelaide property prices have hit record highs in recent weeks, and Mr Walker said house and land packages would be available for less than the price of “a block of land in Sydney and Melbourne”.
“We’re pitching into the affordable market and bringing in all the community benefits there,” he said.
“It’s a great opportunity to get people into houses.”
But Greens MP Mark Parnell has previously labelled the project a “ghetto in waiting” and said planning experts had consistently flagged problems with it.
“They knew it was a rotten project 14 years ago, and it’s still a rotten project,” he said.
“This is a bit like a zombie movie. I thought it was dead and [then] you look and it’s come back to life.
“There’s a whole range of issues … it’s a flood-prone area.”
Local teacher Robyn Lewis said some produce growers were worried about the impact on an area she said was “called the ‘salad bowl’ for a reason”.
But she said the area was “blossoming” and that the project would deliver much-needed amenities.
“We don’t have a lot of public transport out here and I’m sure, in the infrastructure [plan], that will be looked at,” she said.
“Schools are going to be built in the area [which] is fantastic for parents — they don’t have to load their children onto a bus in the morning, with all the worries that come with that.
“The fact that there’s going to be shopping centres will be great.”
Existing roads to be upgraded
Mr Walker said the project would include more than 450 hectares of open space and 50 hectares of lakes and waterways.
“There’s close on 40 kilometres of bike paths,” he said.
“We’re investing $3 billion in it so we’re very confident that this is what Adelaide needs.”
But Mr Parnell likened it to the infamous Mount Barker development, which then-planning minister John Rau in 2011 conceded had been poorly handled.
“Mount Barker has now become a case study in appalling planning,” Mr Parnell said.
“As a city, Adelaide — the idea that we’ve come to is that they’re should probably be some limit to urban expansion on the fringe.
“Unless we want urban sprawl forever, unless we want Los Angeles and to be like that, we do need to have a containment boundary.”
A spokesperson said the Department for Infrastructure and Transport would “continue to monitor population growth” and “assess public transport requirements” in the area.
“Roadworks are being undertaken to construct a signalised intersection at the junction of Port Wakefield Road and Angle Vale Road as part of the residential community development Riverlea,” the spokesperson said.
“Traffic lights at the junction of Port Wakefield Road and Angle Vale Road are expected to be installed in mid-2021.
“The works will include some road and speed restrictions to facilitate construction.”
Ms Lewis welcomed the installation of the traffic lights at the intersection.
“There have been a few accidents on that corner and with more traffic there’s a possibility of more,” she said.
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A ride that caused the death of a young girl at the Royal Adelaide Show should not have been cleared to run because its operators had not returned a final safety checklist, a coronial inquest has heard.
Adelene Leong, 8, was killed when she was thrown from the Airmaxx 360 ride
A coronial inquest is examining her death, more than six years after it happened
The inquest has heard show officials approved the ride despite its operators never returning a safety checklist
Eight-year-old Adelene Leong died in hospital after she was thrown from the Airmaxx 360 ride at the Royal Adelaide Show in September 2014.
South Australia’s Deputy State Coroner Ian White is currently hearing an inquest into Adelene’s death.
The inquest was told on Friday that the operators of the ride were required to return a safety checklist created by the Royal Agricultural and Horticultural Society, which runs the Royal Adelaide Show.
The inquest heard the checklist, which was intended to confirm that an engineer or so-called “competent person” had inspected the ride, was never returned.
Judith Noble, project manager for the Royal Agricultural and Horticultural Society, told the court she only became aware after the incident that the checklist had never been returned by the Airmaxx 360 operators.
Ms Noble told the court it was one of several documents required to be returned by all operators.
She said she could not recall if there were any other ride managers that also did not return the checklist.
She agreed with a proposition by the coroner that the Airmaxx 360 should not have been cleared to operate by the society without the checklist.
Harness and seatbelt checked twice
The court also heard evidence from Amanda Minniken, 36, who said it was her job to “lock and load” customers as the only official deck attendant on the ride that day.
Ms Minniken told the court she checked Adelene’s harness and seatbelt at least twice before the ride began.
“I recall checking her two, maybe three times, I recall twice asking her to go all the way back [on her seat], I realised she didn’t speak English,” she said.
“I tried to explain slowly, she didn’t quite understand … I pushed the harness down, locked it in.”
Ms Minniken told the court a mother on the ride, two seats away from Adelene, was yelling at her at the time.
She said after that she gave the ride operator a ‘thumbs up’.
Ms Minniken told the court she only realised something went wrong when the ride came to a very quick stop.
The inquest has previously heard that the Airmaxx 360 ride had been plagued by complaints before coming to the Royal Adelaide Show with 22 injury reports made in three days at the Royal Melbourne Show.
It heard the ride had some design and condition flaws that should have been identified and that it was operating at a height limit of 120 centimetres which was 20 centimetres less than what was suggested by the ride manufacturers.
The inquest continues.
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