Go big or go home – Donald Trump thrived by painting Democrats as soft on immigration | United States

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Pension plan chief’s resignation renews debate over vaccine queue jumping

One veteran corporate director said he doesn’t think ‘shaming people’ for getting vaccinated reflects well on Canada or its politicians

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The abrupt resignation of the head of the Canada Pension Plan Investment Board after it was revealed the 54-year-old was vaccinated against COVID-19 in Dubai has sparked a new round of debate over vaccine queue jumping and non-essential travel by business leaders and government officials during the pandemic.

Mark Machin, who piloted the nearly $476-billion CPP pension fund to an annualized five-year return of 9.7 per cent since taking over the fund in 2016 — most recently through the thick of the pandemic — tendered his resignation, which was accepted by the CPPIB’s board of directors, late Thursday.

“We are very disappointed by this troubling situation and we support the swift action taken by the board,” Katherine Cuplinskas, a spokeswoman for Finance minister Chrystia Freeland, said in an emailed statement.

CPPIB operates at arms-length from government, but its board is appointed by the federal finance minister. Freeland spoke to the pension board’s chair, Heather Munroe-Blum, on Friday and “made clear that Canadians place their trust in CPPIB and expect it to be held to a higher standard,” Cuplinskas said.


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A doctor by training and investment banker by career, Machin told staff in a memo Thursday night that the trip was deeply personal, and that he was still in the UAE with his partner, according to The Canadian Press.

A former pension official said Machin has two daughters, who remained in Asia when the London-born executive’s duties pulled him to CPPIB’s headquarters in Toronto.

Machin’s memo to staff suggests there may have been an unspoken justification for his actions, said two veteran corporate directors, who spoke on condition that they would not be identified.

One director said it could be as simple as not being a full-time Canadian resident, adding that he doesn’t think “shaming people” for getting vaccinated reflects well on Canada or its politicians. This is particularly the case, he said, when there are thousands of Canadians spending the winter in the United States “including a number of CEOs and most have been vaccinated.”

The other longtime director, who has served on the board of both public and private organizations, said he didn’t think Machin’s behaviour was a firing offence, and praised his performance at CPPIB after taking over as CEO on relatively short notice when Mark Wiseman left in 2016.

But Richard Leblanc, professor of governance, law and ethics at York University, said he could not think of a reason that would justify the decision to “jump the line” in Canada where there is no private market and the vaccine is being delivered as a “public good.”


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”If there were exceptional circumstances for a particular CEO, then there should be permission from stakeholders, including any regulator or governmental entity for a Crown or quasi-Crown company,” Leblanc said.

“This issue is largely moral leadership, and leading by example.”

A senior government official said the finance minister was not aware of Machin’s trip ahead of time and would not expect to be apprised because of the arms-length relationship.

Canada is just beginning to vaccinate the public at large, beginning with those over 80. The country’s inoculation program began in long-term care and retirement homes, and hospitals.

This issue is largely moral leadership, and leading by example

A handful of government and corporate officials have been censured for either jumping the queue to get a COVID-19 vaccine, or for engaging in non-essential travel, which has been discouraged by the federal government during the pandemic.

Rod Baker, the 55-year-old chief executive of Great Canadian Gaming, resigned last month after to was revealed that he had chartered a private plane to a remote Yukon community to get vaccinated along with his wife.

Ontario’s then-finance minister Rod Phillips, meanwhile, lost his cabinet seat after it was revealed that he had travelled to St. Barts in the Caribbean in December.

And Dr. Tom Stewart, CEO of St. Joseph’s Health System and Niagara Health, resigned from Ontario’s COVID-19 advisory board after leaving the country over the Christmas holidays for a trip to the Dominican Republic.


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Leblanc said a business leader or politician leader might argue that the travel is for personal reasons, not on behalf of the company or the country, but an organization’s brand is always associated with its CEO.

“The CPPIB board did the right thing. It acted decisively,” he said, adding that the pension organization’s decision to name a new CEO right away would “mitigate reputation risk, and (avoid) disruption and a CEO search.”

John Graham was named Friday as Machin’s successor, becoming the third CEO at the investment arm of Canada’s largest pension in less than nine years.

Machin had emerged as a bit of a surprise to observers when he got the job in 2016, having only joined the pension manager four years earlier as president of CPPIB’s operations in Asia, based in Hong Kong.

He quickly rose through the ranks to lead all CPPIB’s international investment activities, and his appointment as CEO made him the first non-Canadian to run the investment organization responsible for the retirement savings of Canadians.

Before joining CPPIB, he worked at Goldman Sachs for more than 20 years, helping establish a capital markets office in Hong Kong office and rising to the position of vice-chairman for Asia (outside Japan), based in Beijing.

Accepting his offer of resignation this week, the CPPIB board issued a statement that lauded Machin’s performance, international perspective, and “outstanding leadership” as CEO.

In-depth reporting on the innovation economy from The Logic, brought to you in partnership with the Financial Post.


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Joe Biden’s Mixed Iran Messages

President Joe Biden delivers remarks on Feb. 25.


jonathan ernst/Reuters

Friday morning’s airstrike against Iran-backed militias in eastern Syria sends a clear message: President Biden will use force to defend American lives. But this welcome development is an exception to the rest of Mr. Biden’s emerging Iran policy.

The President authorized the mission Thursday as a response to deadly rocket attacks against American and allied personnel in Iraq this month. The strikes, meant to target the Iranian proxies Kataib Hezbollah and Kataib Sayyid al-Shuhada, destroyed several weapons storage facilities.

The Pentagon didn’t confirm casualty numbers, but media reports suggest well over a dozen pro-Iranian fighters were killed as the U.S. also struck trucks loaded with weapons. The message will be heard in Tehran and by other U.S. adversaries.

On the other hand, there’s Mr. Biden’s seemingly eager desire to return to the flawed 2015 nuclear deal with Iran. After announcing that Washington couldn’t “snap back” United Nations sanctions, the new Administration is consulting with South Korea about releasing at least $1 billion in frozen Iranian assets. Secretary of State

Antony Blinken

said this week the U.S. wants to “lengthen and strengthen” the accord—good—but then said President Trump’s sanctions on Iran had failed.

How giving up sanctions will get Iran to agree to a better deal is left unsaid. And, no surprise, Tehran has responded to the overtures by curbing access for International Atomic Energy Agency inspectors and threatening to further enrich uranium.

The White House is also making the mistake of counting on Europe to help bring Iran into a better nuclear deal pact. Talk about false hope. The U.K., Germany and France failed to help Mr. Trump improve the deal. France and Germany also recently embarrassed the new Administration by rushing to sign a major investment deal with China.

So much for “restoring alliances.” The Europeans have convinced themselves that the nuclear deal will change Iran’s behavior, but this diplomacy is about little more than serving their commercial interests with Iran.

Meanwhile, the U.S. is giving the back of its hand to the countries most endangered by Iran—Israel and the Sunni Arab states. The Administration paused arms sales to Saudi Arabia and the United Arab Emirates last month. It also withdrew support for a Saudi-led coalition fighting Iran-backed Houthi rebels in Yemen while lifting sanctions against the Houthis. On Friday the Administration released a scathing intelligence report about Saudi officials’ involvement in journalist Jamal Khashoggi’s killing (see nearby). Amid a flurry of other activity, Mr. Biden also made a point of delaying his first calls to Saudi and Israeli leaders.

All this looks and sounds like

Barack Obama

redux, though the Middle East has changed in four years. The Administration is still courting Iran, as if the regime and the Islamic Revolutionary Guard Corps have shown any desire to change their imperial behavior. These concessions jeopardize the progress of the landmark Abraham Accords between Israel and Arab countries and the containment of Iran, where sanctions have stoked public anger at the regime and undermined its ability to project power around the region.

Mr. Biden says he wants to focus less on the Middle East and more on the Indo-Pacific. The way to do that is to build on the alliances of the Trump Administration and persuade the Europeans to join a united front against Iran. Otherwise Mr. Biden is on a path to strategic disappointment and time-consuming distractions in Iraq, Syria and the Arabian peninsula.

Paul Gigot interviews former Trump national-security official Matthew Pottinger. Photo: ZUMA Press

Copyright ©2020 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8

Appeared in the February 27, 2021, print edition.

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Gov. Andrew Cuomo’s history with women: Wives, girlfriends, accusers

Gov. Andrew Cuomo’s love life has been rocky, and sometimes cringe-worthy, for years — since well before a second former aide accused him of sexual harassment on the job on Feb. 27.

Briefly the hearthrob of some swooning liberals — who called themselves “Cuomosexuals” at the height of the governor’s daily COVID-19 briefings last year — Cuomo, 63, has made no secret that he’s on the prowl after a very public breakup in 2019.

One of those Cuomosexuals was comedian Chelsea Handler.

But when the LA-based comic asked him out online, the gov ghosted her, she joked last October, a year after his breakup with 14-year girlfriend and celebrity chef Sandra Lee.

Gov. Andrew Cuomo, D-N.Y., is accompanied by his girlfriend Sandra Lee at the White House in Washington, Oct. 18, 2016. (Associated Press)


“I’m a big fan of Chelsea’s and she is great and we have fun but on my dating life, you know, I am only dating at this point in-state residents,” Cuomo said during an appearance in October on “The View,” presumably referring to the still-raging COVID-19 crisis.

(“I’m a big fan of Chelsea’s,” Cuomo said about comedian Chelsea Handler. (Getty Images/Associated Press))

“On a human level, on a social level,” he jokingly lamented to “The Daily Show” host Trevor Noah, also in October, “nobody wants to have dinner with me.”

Cuomo was married to Kerry Kennedy, the seventh child of Robert F. Kennedy, from 1990 until 2005.

They share daughters Cara Ethel Kennedy-Cuomo, Mariah Matilda Kennedy-Cuomo and Michaela Kennedy-Cuomo.

Why the two split has never been made clear.

However, an excerpt from “The Contender,” a Cuomo biography that was published in Vanity Fair, says tension in their relationship arose early on, and Kennedy even insisted the couple seek marriage counseling — but Cuomo was too consumed with work.    

That same year his divorce was finalized, the governor began a relationship with Food Network host Lee, and the couple moved in together in 2011.


However, the couple’s 14-year relationship officially ended in September 2019, and Cuomo has repeatedly intimated publicly since then that he was looking for love.

“Do you think you are an attractive person now because you’re single and ready to mingle?” the governor’s CNN host brother, Chris, teased him on his show, “Cuomo Prime Time”

“No,” the governor griped to WAMC radio host Alan Chartock, who asked him on air last summer whether he was dating anyone. “What happened to the women you are recommending?” he chided Chartock.

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Broadway Is Dark. London Is Quiet. But in Australia, It’s Showtime.

SYDNEY, Australia — The lights were dimmed, the crowd was masked, and plexiglass divided the orchestra.

Jemma Rix, draped in royal blue and holding a sanitized scepter as Elsa, emerged to greet the “Frozen” family — her spunky sister, Anna, the dashing Prince Hans and the stoic reindeer Sven — all tested for Covid-19, belting out familiar lines with new meaning.

“For the first time in forever,” they sang, “nothing’s in my waaaay!”

The crowd erupted in applause, not just for the cast, but for the moment: Actors are back onstage, and audiences are back in seats. At a time when New York and London theaters remain dark, Australia’s stages are (carefully) bright — “Come From Away” and “Harry Potter and the Cursed Child” have reopened in Melbourne, “Hamilton” is scheduled to join “Frozen” next month in Sydney, and “Moulin Rouge! The Musical” is preparing for a summer start in Melbourne.

Australia, normally a secondary market for big-brand shows developed in New York and London, has become an unexpected pandemic pioneer: a model and a test case for the global theater industry. Now producers on Broadway and the West End are watching the Australian rebound with envy, hope and a desire to learn what works as a kneecapped art form tries to get back on its feet.

“It’s like living in the future,” said Thomas Schumacher, the president of Disney Theatrical Productions, who spent six weeks in Sydney — two of them quarantined in a hotel room — to cheer on the “Frozen” opening. Disney is planning to open 24 stage productions on four continents this year, including “The Lion King” and “Aladdin” on Broadway, and Schumacher is looking to Australia as a harbinger.

Much has changed. Actors are greeted at some theaters by robots that take their temperatures. Patrons must scan QR codes as they register for contact tracing upon arrival, and they are admitted at staggered times so they can be seated by row. After the final ovations, actors skip the familiar stage door selfie sessions with fans.

But the visceral thrill of live theater is back. The “Hamilton” producer Jeffrey Seller, now in quarantine in Sydney as he awaits clearance to visit his show in rehearsal, is giddy at the prospect of seeing actors onstage; he is hoping Australia will be the first of seven “Hamilton” productions to open this year.

“I feel like Dorothy going to Oz,” he said. “Finally the whole world is in full color again.”

Australia has been far more successful at containing the virus than either the United States or Britain, mostly because it adopted strict safety protocols and people have followed public health advice. The differences are stark: Over the past week, Australia has averaged fewer than one daily case per 100,000 people, according to a New York Times database, while Britain has averaged 15 and the United States 21. The raw numbers are even starker: Australia averaged a total of only six new coronavirus cases a day over the past week, while the United States averaged 69,483.

Now British and American producers are stuck waiting for vaccines to be rolled out in their countries. In the West End, some shows are hoping to reopen in the spring, and on Broadway, fall seems more likely — while in Australia, shows were able to open long before anyone was vaccinated.

The biggest lesson so far has been positive: Ticket sales are strong, suggesting that theater lovers are eager to return, and willing to spend money. “There’s a lot of pent-up demand,” said Carmen Pavlovic, the lead producer of “Moulin Rouge!,” “and it bodes extremely well.”

The early success is attracting more productions. The producers of “Jagged Little Pill,” a musical built around the songs of Alanis Morissette, which had run only a few months on Broadway before the shutdown, said they now have Australia in their sights as they plan their first international production.

The momentum has been building since Australia’s theater industry began lobbying for a return back in June. Some productions got government incentives to reopen, and the industry created its own nationwide coronavirus safety plan with epidemiologists to persuade officials that theaters, as a whole, would not make the pandemic worse.

Onstage, the action is unchanged by the pandemic. In “Come From Away,” stranded air passengers still take turns kissing a cod.

And in “Frozen,” Elsa still manages to conjure an ice palace during “Let It Go,” although that one unexpectedly took some extra engineering after the theater reconfigured its air conditioning system as a virus control measure. Surprise! Increased air exchange wreaks havoc with stage fog. The special effect had to be recalibrated.

Offstage, however, it’s a cautious new world.

The first step: separating buildings into zones — one for cast and crew, and another for the audience and anyone who deals with them.

At several theaters — including the Princess in Melbourne, where “Cursed Child” just restarted on Thursday — “transition zone” hygiene stations offer sanitizer, gloves, masks and paper booties for those venturing backstage. And at “Hamilton” rehearsals, performers carry tubes of “Hamiltizer” to disinfect their hands as needed.

“We’re in a space that’s privileged,” said Matu Ngaropo, who is playing George Washington. “We don’t take that lightly.”

The “Frozen” cast is divided in two for their preshow warm-up, making it harder for pitch and rhythm to coalesce, but reducing the spread of aerosols.

“You can’t hug each other, you can’t touch,” said Matt Lee, who plays the lovable snowman Olaf. “You have to be comfortable with eye contact.”

Instead of an encouraging hand on the shoulder between scenes, Mr. Lee and Ms. Rix flash each other a peace sign.

“Even my dresser,” Ms. Rix said. “I see her all the time, but I don’t even know what she looks like because she’s always got a mask on.”

Microphones are disinfected with ultraviolet light; pens and flashlights are sanitized after use. Usher uniforms, which used to just hang on racks for anyone to grab willy nilly, are organized with military precision: each in a bag with a name tag right above.

The first productions to open here last fall felt awkward, as government guidelines required four square meters per person, leaving many seats empty. Now some theaters in Sydney and Melbourne can fill up to 85 percent of their seats.

Disruptions are unsurprising. In December, a small outbreak north of Sydney prompted Disney to cancel several performances of “Frozen,” and this month a small outbreak in Melbourne led to a five-day, citywide lockdown that forced “Come From Away” to close temporarily.

“It feels like upheaval is the new normal,” said Pavlovic, who noted that her show’s casting was repeatedly complicated by changing restrictions on travel between Australian states.

The pandemic has even affected the old show-must-go-on ethos of performing through illness, which no longer makes sense in the age of a highly contagious virus, when one sick performer can easily take an entire cast out of commission. “We added two standbys to the company to make sure we were thoroughly covered if somebody got sick,” said Sue Frost, a lead producer of “Come From Away.”

Audiences are adapting, too. Producers said that last-minute purchases have become increasingly common. Even with a now-standard promise of exchanges and refunds if shows are canceled because of the pandemic, many people are wary of buying tickets (prices have stayed the same) for fear of losing their money.

At a recent weekend performance of “Frozen,” Caryl Barnes, a psychiatrist who had come to the show with her husband and two teenage daughters, said that she had bought tickets just a week earlier. Terri Kosta, standing in the lobby with his 7-year-old daughter and his wife, said that he bought his tickets the day before the show.

Outside the theater, arriving patrons didn’t seem to mind giving up their mobile phone numbers for contact tracing in the event of an outbreak. By and large, they said they were excited to return, even with scheduled arrival times that required some people to get to the theater 45 minutes early.

Inside, every few minutes there were audio reminders to wear a mask, practice good hygiene and consume food and drink only while seated. (Epidemiologists calculated there would be less risk if everyone faced forward.)

“Everybody just has to do what they have to do,” said Mr. Kosta, a builder, who noted that he’d been wearing masks at work for months. “It’s uncomfortable, but it’s worth it.”

After the final standing ovation, the crowds departed by row, as if exiting a plane.

Diana Burgess and her friend Clara Potocki, two lawyers in their 30s, lingered and laughed, standing in line to buy souvenirs, decked out for the occasion in masks with sequins.

“It’s so nice to be able to do this again,” Ms. Burgess said.

“It feels absolutely safe,” added Ms. Potocki, as she waited to purchase a stuffed Olaf. “It’s great to be out.”

Damien Cave reported from Sydney, and Michael Paulson reported from New York.

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Mitch Marner and Jack Campbell step up for Maple Leafs with Auston Matthews down in Edmonton

Mitch Marner was just fine on his own Saturday night.

Playing without injured Auston Matthews, Marner stepped up with a power-play assist and then an even-strength goal in the first period, sparking the Maple Leafs’ 4-0 win over the Oilers in the opener of a pivotal three-game series in Edmonton.

Marner and Matthews have created arguably the NHL’s most deadly duo so far this season. But the good news for the Leafs — who continue to list Matthews as day-to-day with a suspected wrist injury — is that Marner is also pretty productive on his own.

While Matthews has mixed his tremendous shot and goal scoring ability with some tenacious defence, Marner continues to have an innate ability to make everyone he plays with better.

That was the case when he set up William Nylander on the power play for the game’s first goal. Marner then scored 73 seconds later, his 10th of the season. It was also his 10th multi-point game of the season, vaulting him into third place in NHL scoring behind Edmonton’s Connor McDavid and Leon Draisaitl.

Jason Spezza scored on a snap shot after a fake shot in the second period. In the third, Zach Hyman outduelled Darnell Nurse in a corner puck battle before scoring his fifth goal of the season.

This series was billed as a clash with first place in the North Division on the line. The Leafs, now six points up on Edmonton, guaranteed they’ll still be on top after the final two games of this series.

Goalie Jack Campbell, back after missing 13 games with a leg injury, worked well behind a solid defensive effort, stopping all 30 shots he faced for the Leafs’ first shutout of the season and the third of his career.

The Leafs are now 22-11-2 all-time without Matthews in the lineup.

  • Nylander’s hot: Nylander’s goal was the third in a row for the Leafs over two games. He now has eight on the season, three on the power play. He also has four goals and 14 points in 22 games when Matthews is not in the lineup. Nylander’s goal also snapped an 0-for-12 slump on the power play for the Leafs.
  • Johnny on the spot: John Tavares was assigned to the top line between Marner and Joe Thornton with Matthews out. Tavares assisted on both first-period goals and now has 167 points in 167 games as a Leaf.
  • Subtle moves: Two subtle plays created those first-period goals. On the power play, Thornton lightly cross-checked an Edmonton defender into the right post, not enough to draw a penalty, but enough to create confusion in the crease and a narrow hole for Nylander to fire in his goal. The second was a stretch pass from Justin Holl that sprung Tavares on an odd-man rush with Marner. A quick, backhand pass from Tavares set up Marner for the finish.
  • Piling up points: Spezza’s goal was the 952nd point of his career.



  • Silent stars: Solid team defence kept McDavid and Draisaitl off the scoresheet: McDavid managing one shot on goal and two shot attempts through two periods. He was a minus-3 and has been held pointless in four games now this season. Edmonton entered the game 11-2-0 in the previous 13 games after starting the season 3-6-0. They had scored an NHL-leading 29 first-period goals.

  • Matthews update: Matthews skated on his own Saturday. Leafs coach Sheldon Keefe said he continues to be day to day. Toronto plays Edmonton again Monday night. Matthews had missed one other game this season – a Jan. 22 tilt against Edmonton in Toronto, which the Leafs won 4-2.



How do you think the Leafs played tonight?

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Johnson & Johnson vaccine authorized by FDA

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NY mandates dance ‘zones,’ distancing when weddings resume

New York’s new coronavirus-era dance rules aren’t exactly “Footloose” strict, but don’t plan on cutting loose and kicking off the Sunday shoes with just anybody

The state says that when wedding receptions resume next month, guests will be allowed to hit the dance floor only with members of their immediate party, household or family seated at the same table.

Even then, the rules say, dancers must wear face masks and stay within their own “dancing areas or zones” — spaces that should be at least 36 square feet (3.3 square meters) in size and positioned at least 6 feet (2 meters) apart from other dance zones and tables.

There’s no switching dance zones, either.

Happy couples can still take a twirl for a ceremonial first dance, and other couples can join in, but they must all stay 6 feet apart.

Live music performers and other entertainers are allowed, but if they’re unmasked or playing a wind instrument, they must be separated from attendees by 12 feet (4 meters) or an appropriate physical barrier.

Gov. Andrew Cuomo previously announced that weddings can begin again on March 15. Venues will be restricted to 50% of capacity, up to 150 guests, and all must be tested for coronavirus beforehand.

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Brazil unemployment rate falls to 13.9% in quarter through December

FILE PHOTO: A woman writes down on her phone a job opportunity from listings posted on a light pole in downtown Sao Paulo, Brazil, September 30, 2020. REUTERS/Amanda Perobelli

February 26, 2021

By Jamie McGeever

BRASILIA (Reuters) – Brazil’s unemployment rate ended last year at 13.9%, figures showed on Friday, extending a recent dip as workers returning to the labor market found jobs, but the average jobless rate in 2020 was the highest since comparable records began in 2012.

That was down from 14.1% in the three months to November, statistics agency IBGE said, in line with the median forecast in a Reuters poll of economists and slipping further from the record 14.6% in the three months to September.

Brazil’s unemployment rate ended 2019 at 11.0%.

The average unemployment rate last year was 13.5%, IBGE said, up from 11.9% the year before and the highest since the series began eight years ago.

The IBGE figures showed 86.2 million Brazilians had work, up 4.5%, or 3.7 million people, from the July-September period, although still down 8.9%, or 8.4 million people, from the same period a year earlier.

The number of Brazilians officially unemployed in the three months to December dipped slightly to 13.9 million from 14.1 million in the prior three-month period, IBGE said, but that was up almost 20% from a year ago.

The under-employment rate fell to 28.7% from 30.3% in the July-September period, while the average underemployment rate last year was a record 28.1%, IBGE said.

The number of under-employed fell by 1.1 million to 32 million, IBGE said. That was still 22.5% higher than the same period a year earlier, or up almost 6 million more people.

The workforce stood at 100.1 million people, up 3.5 million from the three months through September, and the number of people out of the workforce entirely fell by 2.3 million to 76.3 million, IBGE said.

Compared with a year earlier, however, the workforce is still down 6.1 million people, and there are almost 11 million more people out of the workforce completely, IBGE noted.

(Reporting by Jamie McGeever; editing by Barbara Lewis)

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Winning ticket for $70 million Lotto Max draw purchased in Sudbury region

TORONTO — A ticket holder in Ontario won Friday night’s whopping $70 million Lotto Max jackpot.

The Ontario Lottery and Gaming Corporation said the ticket was sold in the Sudbury region. It marks the fourth time the maximum jackpot was won in Ontario and the sixth time in Canada since the cap was increased in 2019.

Nine of the draw’s Maxmillions prizes of $1 million each were also won, with one of those prizes being split between two lottery players.

Winning Maxmillion tickets were sold in Ontario, Quebec, British Columbia and the Prairies.

The jackpot for the next Lotto Max draw on Mar. 2 will be approximately $24 million.

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— With files from Ryan Rocca

Hamilton woman the first $500K winner in OLG’s Plinko

Hamilton woman the first $500K winner in OLG’s Plinko – Feb 5, 2021

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