Rising star to headline Lismore Youth Festival

The three-day Lismore Youth Festival will be jam packed with music, performance, art and workshops to entertain and inspire young people.

The free festival will take place across multiple venues in Lismore on April 14, 15 and 16.
One of the festival’s music curators, Blake Rhodes of Dream Bigger, said this year’s festival is going to be “huge”.

“Lismore’s coolest organisations have joined forces to create something really special and positive for young people in our region,” Mr Rhodes said.

“This is an opportunity for young people to come together and have fun again, to share experiences and learn some cool new things as well.” 

Lismore Quad. Photo Terra Sword.


Kicking off the festival on Wednesday 14 April at NORPA at Lismore City Hall, Bundjalung hip-hop sensation and 2020 Triple J Unearthed Winner of the Year JK-47 will headline an awesome line-up of local music acts.

>>>Tweed Heads rapper claims prestigious music award

Then on Thursday 15 April and Friday 16 April, The Quad and surrounding buildings will come alive with a half-pipe, skating comps, DJ’s, comedy, light saber dance offs, and a huge workshop program that offers everything from street art to bush survival.

Lismore Regional Gallery will feature youth art exhibitions by Defiant / Beyond Empathy and The Rainbow Collective (LGBTIQ Youth Group).
All of Lismore Youth Festival events are free but bookings are required some workshops and events as numbers are limited.

Visit www.lismorequad.org.au for full program and details.

Half-pipe, skating comps and classes at The Quad as part of Lismore Youth Festival. Photo Andrew McNeil.

Half-pipe, skating comps and classes at The Quad as part of Lismore Youth Festival. Photo Andrew McNeil.

Quad Outdoor

A half-pipe will be set up in The Quad on Thursday and Friday with the Popsgood Skateboarding crew and their coaches hosting free learn-to-skate clinics and comps for all ages, genders, and abilities.

There’ll be prizes for the top 3 riders in each division as well as fun skate jams to practice new tricks.

Bring the picnic blankets and chill on the grass, listening to The Northern Rivers Conservatorium’s awesome youth Jazz Orchestra on Friday afternoon.

Check out the super special public art installation by the Quad- based student crew from New Choices (Rivers Secondary College).
Join well-known local street artist KiKi in her Collage & Paste Up Graffiti Workshops at Lismore Regional Gallery, create your own self-care box with Headspace, test your skills in the art of musical impro at the Conservatorium with Sean O’Boyle AM.

Head over to the Library where you can jump into everything from drawing anime characters to Claymation, learning bush skills and money management.

Make free styling illuminated sculptures with the lantern loving folk from LightnUp, have a crack at cracking others up with Larry Laughs stand-up comedy workshop and take part in a music industry masterclass hosted by the Dream Bigger team.
Kicking off Lismore Youth Festival on Wednesday 14 April, Bundjalung hip-hop sensation JK-47 will get the party started at NORPA at Lismore City Hall.

The 2020 Triple J Unearthed Winner of the Year will headline an awesome line up of music that includes local acts LAS, ROOM19 and Desert Wizard.


'Shakiah' and 'Margaret' in collaboration with Shakiah Weatherall, Margaret Roberts, Hannah Bronte, Raphaela Rosella, Beyond Empathy.

‘Shakiah’ and ‘Margaret’ in collaboration with Shakiah Weatherall, Margaret Roberts, Hannah Bronte, Raphaela Rosella, Beyond Empathy.

As well as hosting workshops, Lismore Regional Gallery and Elevator ARI (behind the Regional Gallery) will be full of beautiful and powerful art created by young people with Defiant exhibition upstairs, and work from the Rainbow Youth Collective in the Lismore Regional Gallery Event space downstairs.

New exhibition space Arch Studio Gallery, located under the Northern Rivers Conservatorium (Quad side) will launch their exhibition program with the work of 3 young women from the Northern Rivers region Frewoini Baume, Gaia Heart and Lara Pisarek, with an exhibition co-curated by Frewoini Baume and Claudie Frock.



Originally published as Rising start to headline Lismore Youth Festival

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Disruptions and threats plague Russia’s top documentary film festival

Over the course of the past week, Artdocfest — the largest documentary film festival in Russia — has been disrupted by the police, Russia’s consumer protection agency, threats, and pro-Kremlin activists. In response, Artdocfest’s organizers have been forced to cancel screenings and pull films, and have done their best to see the festival through regardless. Meduza breaks down the chain of disruptions and threats that have plagued Artdocfest 2021.

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Regional Indigenous cultural messages at Fringe Festival aim to break down barriers

Indigenous artists from the Mid North of South Australia have taken their messages of culture and breaking down barriers to Adelaide Fringe Festival audiences at Tandanya National Aboriginal Cultural Institute.

Port Augusta mother and son artists Lavene McKenzie and Dre Ngatokorua debuted on Friday night with their show, the MoZzi X Inkatja multimedia collaboration.

Seasoned Indigenous performer Elaine Crombie, from Port Pirie, performed her show Janet’s Vagrant Love, A story of love, heartbreak and raising black men.

Adelaide Fringe Director and CEO Heather Croall said 9.7 per cent of the 2021 Adelaide Fringe program included First Nations themes, artists or creatives.

“We encourage and embrace the diversity of the Fringe and what First Nations voices bring to enrich our lives,” Ms Croall said.

“Regional areas play such an important part in the fabric of Adelaide Fringe.

“It gives artists from those areas a wonderful platform to engage in the arts.”

Ms Crombie’s stage performance was part cabaret, drama and comedy.

Elaine Crombie’s performance tackles deaths in custody and connection to country.(

Supplied: Elaine Crombie


The producer, singer, songwriter, stand-up comedian and writer tackles issues from racism to love and deaths in custody.

“It’s hard, it’s a hard thing to have that conversation.”

Overcoming ignorance

She said one reviewer said, “everybody needs to hear what you’re saying”.

“I know exactly what I am doing when I am telling those stories and when there are non-indigenous people in the room, I know when I tell those stories, it’s purely for education,” Ms Crombie said.

Indigenous woman sitting at desk with coffee cup making a point with her hand talking to left of photo
Elaine Crombie’s show is challenging and tackles issues of black deaths in custody and racial profiling.(

Supplied: Elaine Crombie


Ms Crombie presents an original score of acoustic songs and tells stories of talking to friends for hours on a house phone after school, to dealing with adult situations and sings for her mother’s sacred ground asking, “will we ever see justice for our people, the original people of this land?”

Landcape connections

Painter Lavene McKenzie’s collaboration with her son music DJ Dre Ngatokorua also presents themes of storytelling and connection to land.

Gallery art space with red lighting, lighting paintings on walls, audience sitting on floor watching DJ at table on far left
Port Augusta mother and son artists Lavene McKenzie and Dre Ngatokorua debuted at Fringe with their multi-media collaboration.(

Supplied: Gayle Mather


Ms McKenzie said it was challenging to bridge the modern DJ music with traditional themes and art.

“Trying to put today’s modern music with my art was quite challenging,” Ms McKenzie said.

“A lot of Aboriginal artists, through their music, sing about the land and the things that we as Aboriginal people face and I think Dre has very cleverly has put the music together with the art.”

Ms McKenzie said Indigenous culture and storytelling was traditionally expressed using dance and music, so utilising DJ music brought the themes into the present.

“He’s done first nations music but there’s a bit of a twist there,” she said.

The overriding theme was about the landscape and connection to land.

Large screens projecting indigenous art work on the right and left, a crowd of 50 people on floor looking to left of photograph
The audience was immersed in the multimedia presentation.(

Supplied: Gayle Mather


“We’re very much present today, that’s the thing, but … we all need to be together in a new narrative around this country, not forgetting the old.

“When we’re telling stories when we’re on country. We’re talking in the present — what has always been there is there.”

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K-Pop World Festival Melbourne 2021

K-Pop World Festival Melbourne 2021

K-Pop World Festival Melbourne 2021K-Pop World Festival Melbourne 2021

Great news for all K-Pop fans!

K-Pop world festival is finally coming back after a long wait. All K-Pop lovers are most welcome to participate in the contest.

We have opened up submissions for both VOCAL and DANCE categories. See below for detailed information on how to enter.

How to enter

1. Upload the video of your performing K-Pop song or K-Pop cover dance on YouTube.

2. Submit your online application here with attached YouTube link.

* Every single member in a team has to submit online application.

3. Entries close at 11:59pm (Local Time) Friday 7 May 2021

4. Selected number of Online Audition will be invited to compete in the Melbourne Preliminary Round at Deakin Edge, Federation Square on 28 May 2021.

Important Dates & Times

1. Online Audition Deadline: 11:59pm (Local Time) Friday 30 April 2021

2. Online Audition Result Announcement: Monday 7 May 2021

3. Melbourne Preliminary Round: 6pm Friday 28 May 2021 @ Deakin Edge

4. World Preliminary Round: Mid-August (TBC)

5. World Finals: between late September and early October (TBC)

Online Audition Guidelines

1. Only ONE K-Pop song is allowed.

2. The song of choice at the Online Audition should be the same exact song that you will be performing at the Melbourne Preliminary Round.

3. Maximum TWO backup dancers are allowed for Vocal Category.

4. Vocal applicants should record your voice(s) using instrumental audio/accompaniment without the original singer’s voice. DO NOT record your voice over the original singer.


1. Online Audition will be judged from video entries.

2. Melbourne Preliminary Round will be judged by the panels at the venue.

3. Three winners will be selected from Melbourne Preliminary Round and it will be a mixed competition between Vocal and Dance category.

4. Award

– 1st place ($500 prize money, opportunity to compete in World Preliminary Round)

– 2nd place ($400 prize money, opportunity to compete in World Preliminary Round)

– 3rd place ($300 prize money)


1. The competition is open to residents in Australia.

2. Korean nationals are not eligible. Persons who have both parents that are or were Korean nationals are not eligible.

3. Contestants must not be restricted from travelling overseas to be available to visit Korea for the World Finals (the exact date to be confirmed later) in Korea.

* Due to COVID-19, Final round in Changwon, Korea can be cancelled.

4. Contestants are only able to submit one video per individual/group.

5. Contestants are unable to be a member of more than one group.

❊ When & Where ❊

Date: Friday 28th May 2021

Times: From 6PM

❊ Venue ❊

 Deakin Edge Theatre  Events 3
⊜ Federation Square Melbourne | Map

Deakin Edge TheatreFederation Square, Melbourne, , 3001

✆ Event: | Venue: +61 3 9655 1900

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❊ Be Social ❊

❊ Coronavirus (COVID-19) Update ❊

As Victoria takes action to stop the spread of coronavirus (COVID-19), events may be cancelled at short notice. Please confirm details before making plans | Disclaimer

❊ Web Links ❊

K-Pop World Festival Melbourne 2021

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Here’s how you  can tap into the latest Australian Celtic Fringe Festival up-dates: 

March Newsletter EDM: https://mailchi.mp/260b2b09dce2/acff-march-newsletter-2021?e=a91df68299

March Newsletter on ACF Website: https://www.australiancelticfestival.com/acff-march-news/

Program page on ACF Website: https://www.australiancelticfestival.com/program/


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‘Bali Fest’ organisers apologise, offer refunds after Easter festival slammed

The organisers of a Perth festival that was hoping to “bring Bali to Australia” have been forced to apologise and issue mass refunds after the event left many underwhelmed and disappointed.

Bali Fest, in the Perth suburb of Mandurah, kicked off on April 2 and is due to end on April 6.

The event, which sold tickets for $30, marketed itself as “bringing Bali and its culture, food, entertainment, shopping and leisure lifestyle to Australia”, while also donating money to the Balinese people.

Dozens of people took to Bali Fest’s Facebook page to call for refunds and question what they were getting for their entry fee.

John Geoghegan attended the festival on Saturday and spent less than an hour there, describing the experience as “grossly disappointing”.

“Wandered around the stalls which were a disappointment because these were what we would expect to find anywhere in a weekend market with FREE entry,” he said.

“Bought some tickets to support the Bali Relief Fund. Wandered around the food trucks and bought something to eat and drink. Again, these were what we would expect anywhere the food trucks operate for FREE.”

“Ready to leave by 11.15am as nothing happening in the bar area. So what do you get for your entry fee? Still trying to work that out.

“Grossly disappointing and would not recommend anyone paying a fee to enter considering you still had to pay for everything inside as well.”

Gail Barrett told Perth Nowshe was lodging a complaint with the ACCC and said the festival was nothing like what she experienced on her holidays to Bali.

“It was nothing like Bali, there were hardly any stalls open or food trucks promoting Bali cuisine, or any cultural dancers…it was absolute false advertising,” she told the publication.

“I will be lodging a complaint and I want to see a report of where the money they’ve raised actually goes to the charities.”

Bali Fest organisers apologise to those ‘underwhelmed’ by event

The organisers of Bali Fest took to Facebook late last night to apologise and offer refunds.

“We’re taking this opportunity after several days of the festival to publicly apologise to those who have expressed that they feel lied to and underwhelmed by the whole event,” the organisers said.

“We would also like to wholeheartedly apologise to the Balinese community who were offended by our lack of cultural representation.

“This event was always meant to be a celebration of entertainment and culture while bringing awareness to the struggle in Bali due to COVID, clearly we got this very wrong.”

The organisers said they were “trying to bring the relaxed Bali lifestyle where you can sit back and enjoy some cold Bintangs with live music” but also to support local West Australian artists.

The organisers said everyone involved in Bali Fest had “genuinely put in a lot of effort to put on a great experience for people and follow through with everything that was promised”.

The team said it was “without question” that the right thing to do was “to offer full refunds to those who have expressed their disappointment”.

Organisers started processing refunds last night and are continuing today.

“Please contact us immediately if you felt the same and we will process as soon as possible, just provide us with your order number,” the team said.

“As we have committed to vendors, local artists and local workers we will still be running tomorrow and Tuesday, however due to the public dissatisfaction we have allowed some vendors to bump out and therefore we will not be running at full capacity, the live music, bar and remaining supporting vendors will continue to operate.

“As such we will refund tickets for the next 2 days and welcome anyone to attend free of charge.

“For those that came and enjoyed the day at the festival we thank you very much and our donation from the Bintang sales will surely help the Bali Dog Association and the Lord Mayors Relief Fund.”

The organisers also clarified that it would be going ahead with donating to its nominated Balinese charities.

“We would also like to publicly clarify that we will be honouring the donations to the Balinese charities from ticket sales next week, and can only ask that those who receive refunds will donate to the cause themselves,” the organisers said.

“We are proud of our effort to fundraise but take every bit of feedback seriously and will use it as a lesson to improve and learn on our mistakes this time around.”

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The Four Winds Festival 2021 is set to return to Bermagui for the Easter weekend

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The Four Winds Festival 2021 is set to return to Bermagui for the Easter weekend
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Geelong superheroes and villains fly into festival

By Luke Voogt A cast of Geelong drama teachers and actors turned superheroes will fly into Melbourne International Comedy Festival for their brand new ‘mockbuster’ Groovyman next month. “It’s a blockbuster but without the budget,” explained Highton’s Ed Dolista, who plays Groovyman’s arch-nemesis The Hustler in the “pun-tastic” spectacular. “I always play the villain – I think it’s because they get all the cool costumes. “Like Darth Vader – he looks pretty good compared to Luke Skywalker.” Dolista describes the flamboyant polyester-loving Hustler as a cross between The Joker, Elton John, and Bewitched star and comedian Paul Lynde. “He has a thing called the Discotron, which causes people to dance uncontrollably,” he said. “That’s when I’m able to steal their jewellery and money. That’s his plan, to become the most powerful man in Funkytown.” Only Groovyman, sidekick The Boy Funkster and ace reporter Bonita De GoGo can stop The Hustler and villainous comrades Polly Esther and the Piano Man from destroying Funkytown. Reminiscent of comedy films Naked Gun and Flying High, the show reels off quips faster than a speeding bullet, according to Dolista. “We pack in a lot of jokes in each page of script, it goes 100 miles a minute,” Dolista said. The show features video projections, and hits by Gloria Gaynor, Earth, Wind and Fire, KC and the Sunshine Band, and Barry Manilow. “With classic disco sung live, movie-quality costumes and cutting-edge special effects – for 1978 – Groovyman will have you believing a man can jive!” Dolista said. Dolista channels his love of Marvel, the DC Universe and disco into the show, the latest of several by the group at Melbourne International Comedy Festival. “I try to inject that little bit of Hollywood into our shows,” he said. The group’s previous comedies include Robin Hood, the swashbuckling Dead Men Tell No Jokes and spy-themed spectaculars Live and Let Spy and You Only Laugh Twice. “Luckily, they laughed much more than that,” Dolista said. Dolista teaches drama in Werribee and has loved getting on stage since his childhood role in a Geelong production of The King and I – alongside Guy Pearce and Portia de Rossi. “They weren’t famous at the time – she even wasn’t Portia de Rossi, she was Amanda Lee Rogers,” he said. “If I had just gone left instead of right, who knows what would have happened.” Over the years Dolista recruited a motley collection of drama teachers and professional actors for his shows including Ian Nash-Gilchrist, Jenn Stirk, Ian Rooney, Cassia Webster, Nick Addison, Alicia Miller and Scott Popovic. “You remember these people who you thought, ‘they’ve really got something’.” He remembered the heartbreak of having to cancel Groovyman just months out from the festival in 2020, but was thrilled to bring it to The Butterfly Club in Melbourne for seven shows beginning April 5. “We rehearse in our garage, which is about the size of the Butterfly Club,” he said. “Everything came flooding back during rehearsals and I think everyone is just looking forward to performing in front of an audience, no matter how large or small.” Details: www.comicgeniusproductions.com

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Melbourne’s fringe festival of flour: a sweet mix of home bakers and hipster culture | Life and style

Melbourne has a deserved reputation for artisanal subculture, cafe society and somewhat self-conscious hipsterism, but when I heard about Flour Market – “the seasonal, specialty, artisan and underground bake sale” – my mind quickly conjured a flour-dusted Ned Ludd hurling choux into the machines, and conspiratorial tarts with Morse-coded messages arranged in their raisins.

I obviously had to go, both to satisfy cultural curiosity as well as instant appetite for experimental sweet and savoury treats.

Chocolate cakes at the Moonbeam Kitchen stall – a single stall at the market usually sells about 900 items during the day. Photograph: Van Badham/The Guardian

Flour Market was started by four friends and now takes place four times a year. The Melbourne organisers brought a travelling Flour Market to Sydney last year and, with sold-out, queues-around-the-block results, rumours are they’ll be doing so again in February.

A Melbourne Flour Market was on last weekend at Collingwood town hall. It’s less a breaded cabal than a sugary warehouse party to celebrate the enthusiasm of an artisanal community for inventing new products and reinventing old ones. The bakers assemble a circle of stalls around the hall perimeter early, with “early bird” pre-booked customers admitted at 8.30am and doors opened to the public for a $2 entry at 9am. The Flour Market lasts as long as it has goods left to sell; with a crowd of a hundred punters lined up when I arrived before 8am to shoot photos, it was unsurprising when not a cream puff was left out by midday. Typically, a single stall shifts 900 items each time the event’s held. Queues out of the building for “hot” items are usual.

The bakers are a fascinating mix of creators, with diverse experiences of the baking life. Some are attached to premises – not only bakeries but in residence within cafes, takeaways and restaurants. Others are suppliers to existing restaurants and franchises, running distribution businesses from their cars. Others still are home bakers using Flour Market as a supportive environment to test products and make contacts for a foray into professional opportunity. It’s like a fringe festival of flour.

Black Forest choux buns – a steal at $9 each
Luxbite’s Black Forest choux buns – a steal at $9 each. Photograph: Van Badham/The Guardian

Linh Dang is in this last group. She’s 25 and has been baking since she left school. She’s preparing to launch her own baking brand, Amabelle, and she brings her signature wares to the Flour Market: lemon meringue pies adorned with edible flowers, a “Not a Carrot” cake that looks like a carrot in soil but is actually a banana and chocolate confection, and a remarkable salted caramel tart decorated with popcorn and gold leaf.

She’s looking for the kind of niche buyers who have been found by Morgan Hipworth, a stallholder a couple of tables down now known as Melbourne’s Doughnut King. Morgan may only be 14 but he’s been channelling his passion for avant-garde doughnuttery into a thriving small business that’s now supplying numerous Melbourne cafes. He is showcasing a white chocolate, rose petal and pistachio doughnut alongside his existing lines at Flour Market. His signature is a plastic syringe filled with addable jam stabbed into the heart of each dough ball.

Bistro Morgan is a hot stall at Flour Market and it’s his queues that are spilling out the door when I attend. He tells me that his passion for baking was the discovery that his creations “made people really happy”. It’s a sentiment shared by the bakers I talk to for why they’ve been up since 1am baking, why they’re often in bed by 8pm, why their lives revolve around ovens, car deliveries and lost weekends. Received happiness is perhaps why they’re so supportive of one another, and recommend each other’s goods – conspicuously, no one is jealous of young Morgan, despite his queues and reputation; they’re cheering him on.

It’s also perhaps why the bakers are able to mobilise such devoted labour from their supporters at Flour Market and beyond. While Morgan’s mother shifts doughnuts at the market, his father is out doing delivery rounds. Linh Dang’s Flour Market staff are a bustling gaggle of her friends, while Simone Clark, the baker from from Butterbing, has her partner, Trevor, on the table. Clark was a designer who left her desk job to bake full-time and her brownie cookie-sandwiches with cream filling have cult status among the customers of the cafes they supply. “I know this cake!” I blurt when I meet her. Butterbing’s love story – with careers given up and happiness found – is a popular flavour at the market.

Baker’s wife Toula, who’s selling her partner’s vanilla-slice doughnuts and infamously tasty cinnamon scrolls for the Candied Bakery tells me she fell in love with him for his baking. After a bite of my cinnamon scroll, I fall in love with him, too.

Rosewater meringues
North Melbourne’s Beatrix bakery selling rosewater meringues. Some stallholders are well established bakeries, others hope to find a niche with the dream of pursuing baking full time. Photograph: Van Badham for the Guardian

It’s a heady morning – not least for the cake fans who queue, taste, pile their trays with treats and spend the afternoon hashtagging photos of their finds on Instagram with #flourmarket before scoffing the lot.

Melbourne presumably also has an artisanal wellness circuit of kale pushers and quinoa gurus but it’s hard to beat the happy feeling provided spiritually and materially by the joyous bakers at an underground baking festival.

As I finished my day at Flour Market, I experienced at least one radical miracle. I ate every scrap of a 1,000-calorie beef pie without feeling guilty at all.

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World Science Festival Brisbane: The science of companion planting

Date & time

Sat 27 Mar 2021
9:00am to 10:00am

Date & time

Sat 27 Mar 2021
9:00am to 10:00am

Do carrots really love tomatoes? Is it true that some plants do better (or worse) when planted near each other? Will one plant sacrifice itself to insects to save another plant? There’s a lot of information about companion planting out there – but how much of it is science rather than old wives’ tales? Let’s look at our Kitchen Garden to see what’s what – plus you can take home your very own companion plants.

Children under 16 must be accompanied by an adult. Wear sturdy, enclosed shoes. All materials provided. 

Location: Meet at the Kitchen in the Garden.

Bookings required. For more information and to book call 07 3403 2535.


Brisbane Botanic Gardens Mt Coot-tha, 152 Mt Coot-tha Road, Toowong

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