Woman claims Walgreens photoshopped hair bun out of passport photo


A woman was left in hysterics after receiving a very baffling passport photo due to an awkward Photoshop job.

TikTok user Katie was told that her large bun was too big for the picture when visiting a US Wallgreens store, so staff edited it out – leaving her unrecognisable to friends and family.

Katie, who posts under the TikTok username @katiefiore898, shared the photo on TikTok and it has since gone viral and been viewed over 300,000 times.

She explained: “Wore a bun to get my passport pictures but they said it was too big so they just had to cut it off.”

After the blunt bun removal, Katie was left mortified at the finished result.

However, her passport mishap appears to have entertained internet users, with one person joking: “Went from Katie to Kyle.”

Another added: “Why would you wear a bun for a picture that’s going to last at least ten years.”

A third joked: “I’m dead. I’m sorry for laughing so hard at this.”

Another person said they had a similar dilemma and staff told her she couldn’t have hair on her shoulders after she tried to take her bun down.

In Australia, the required standard for passport photos means images cannot be retouched in any way and the size of the face from chin to crown can be up to a maximum of 36mm, with a minimum of 32mm.

In the US, however, passport photo regulations state that hair cannot obscure a person’s face and the head must be sized between 25 and 35mm.

It is understood that Katie went in for a new set of photos, this time without a bun.

With The Sun

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Khloe Kardashian Streisands A Photo She Wanted Taken Down By Issuing Takedowns


from the far-and-wide dept

The Kardashians are no strangers to Techdirt’s pages. Being comprised of family members who are by and large famous for being famous, the Kardashians have been notorious for a heavy-handed approach to policing their own images, often times through spurious claims on intellectual property or publicity rights. So, heading into this story, it should be noted that the default posture of this particular family tends to be the use of IP claims to police anything to do with the family’s image on the internet.

But, as readers of this site will recognize, often times these policing attempts have the opposite of the intended effect. This certainly seems to be the case with Khloe Kardashian’s recent attempts to rid the internet world of a un-touched photo of her poolside.

The alleged leaked photo pictured Kardashian smiling in a swimsuit. Many previously criticized Kardashian on social media for her attempts to remove it online after it was leaked, suggesting she was contributing to body image issues by hiding the unfiltered photo. In her post, Kardashian said she thought the leaked photo of herself was “beautiful” but she is entitled to want it removed.

“When someone takes a photo of you that isn’t flattering in bad lighting or doesn’t capture your body the way it is after working so hard to get it to this point, you should have every right to ask for it to not be shared – regardless of who you are,” she wrote.

That… isn’t how copyright law actually works, though. And it was copyright Khloe’s team used to issue takedown requests to all kinds of sites, including Reddit and Twitter. According to her team, the photo was shot at a Kardashian residence and was “accidentally uploaded” to the internet by “an assistant.” Left unsaid are some important details when it comes to the copyright question. Some reports indicate that the takedown notices were issued by Khloe’s grandmother, who reportedly took the photo. When the family assistant uploaded it on accident, it was done so without authorization. A mistake. But once that was done, it’s unclear how sharing the post via retweets and social media somehow is a copyright violation subject to a DMCA notice.

But that isn’t really the point of this post. Instead, this is a story of a classic Streisand Effect in action. Due in large part to the efforts to disappear the photo, it’s now in much wider circulation on the internet, including in posts from news organizations where any takedown request made by the Kardashians would run straight into the First Amendment. And so now the photo Khloe wanted disappeared is all over the place.

After circulating for about two days, the image is likely experiencing the Streisand Effect, where the effort to suppress information — a story, a video or a picture — only amplifies it further.

Now, I am not including the photo in question here for multiple reasons. First, I don’t need it to get the point of the post across. Second, in recent comments, Khloe has indicated that part of the reason for her wanting the photo gone is that she has struggled with body image issues in her life and I have enough respect for that to not want to add to it.

But that’s kind of the point, right? Other media sources are showing the photo as part of the news coverage of all of this, which is the exact opposite reality that Khloe was attempting to achieve with the aggressive takedowns of the photo elsewhere. Sometimes, it seems, it’s a better strategy to simply let a story die rather than amplify it by trying to kill it.

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Filed Under: dmca, khloe kardashian, streisand effect, takedowns

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Broncos stars under fire for deleted photo with disgraced teammate


Broncos stars Anthony Milford and Alex Glenn are reportedly in hot water with club officials after they were seen with disgraced former teammate Jamil Hopoate.

The two senior players were pictured in a staged photo with Hopoate and former Broncos teammate Joe Ofahengaue, who is now at the Wests Tigers.

The image of the players together was posted by Ofahengaue on his Instagram account this week, but has since been deleted.

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The Broncos have been based in Sydney since Queensland’s COVID-19 spike last month, forced to relocate ahead of their Round 4 match against the Storm, which was shifted to Melbourne.

The club remained in Sydney before their Round 5 defeat at the hands of the Rabbitohs on Thursday night.

During this stay, Glenn, the club’s captain, and Milford, the club’s highest-paid player, caught up with Hopoate in Sydney, leaving them offside with senior club officials, The Courier-Mail reports.

Milford has been a lightning rod for criticism during the club’s disastrous start to 2021 — and is reportedly yet to be offered a contract extension beyond this season.

The 26-year-old was last year let go by the Broncos at the end of the 2020 season after he made his NRL debut in Round 1. He was left without a club for the 2021 season.

The son of notorious former Manly player John Hopoate, and the brother of Bulldogs star Will Hopoate in February pleaded guilty to hitting his partner Shae Beathe to the ground before allegedly getting in his car and driving away from the scene.

He pleaded guilty to two charges of common assault relating to allegations he struck Beathe in the car park of the Club Panthers licensed venue in Port Macquarie on December 28 last year.

Hopoate was thrown out for spitting on security after he and Beathe – the mother of 10-month-old child – became embroiled in an argument.

Court documents show Hopoate is alleged to have knocked Beathe to the ground after striking her with his open palm

She was taken to hospital by police for treatment and Hopoate was pulled over and charged with mid-range drink driving with a blood alcohol reading of 0.095.

The incident is said to have cost Hopoate an opportunity with a Sydney-based NRL side.

He was originally charged with three counts of common assault, two counts of stalking or intimidation and mid-range drink driving.

Hopoate previously served jail time in 2014 after assaulting two men outside a pub in Sydney’s northern beaches — after which he was sacked by the Manly Sea Eagles.

He is scheduled to be sentenced on April 29.

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Racing news 2021: Chelmsford dead heat photo finish, Crazy Spin, Anniemation


Punters around the world are scratching their heads after the narrowest of photo finishes at Chelmsford City Racecourse on Saturday (AEDT).

An apparent dead heat between two horses resulted in a lengthy investigation before a winner was crowned in a verdict that many fans are still protesting.

Racing stewards in the UK announced the race had been awarded to $12 shot Crazy Spin despite the first photos of the finish showing an instantaneous finish with runner-up Anniemation, The Sun reports.

The finish of the $10,000, 1600m Support The Injured Jockeys Handicap race has prompted eagle-eyed fans to investigate the close finish — and all the evidence points to the correct decision being made after close-ups of the close-up image showed the smallest of gaps between the two horses.

That is a dead heat, surely.Source: Twitter

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Victoria Police receive photo in search for Bendigo teenagers missing since 1968


A new photograph has been handed in to police and is believed to be of two Victorian teenagers that vanished half a century ago.

Maureen Braddy and Allan Whyte were last seen leaving a YMCA dance on Mundy Street in Bendigo on November 23, 1968.

They pair, aged 16 and 17 at the time, have never been found.

But on Thursday, Victoria Police released a photograph of a man and a woman, believed to be Maureen and Allan, after a member of the public came forward.

The picture was taken at a boarding house in Aberdeen Street, Geelong, in 1968 and had a note on the back.

“Neil and Kaye. Kaye is asleep on her feet, Neil is supporting her with his elbow,” it reads.

The pair are also believed to have told the photographer they were from the Swan Hill area.

“Since being handed in to police, the photograph has undergone specialist forensic analysis by both Victoria Police and the Australian Federal Police to help determine whether the pair in the photograph are, in fact, Allan and Maureen,” Victoria Police said in a statement.

“Unfortunately, due to the age and quality of the photograph, comparisons with existing photographs of the Bendigo teens were inconclusive.”

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Mystery photo resembling missing teens Maureen Braddy and Allan Whyte baffles investigators


A mystery photo of “Neil and Kaye” who resemble missing teenagers from 1968, has baffled Victorian Police who are now reaching out for the public’s help.

On the November 23, 1968, Bendigo teenagers Maureen Braddy and Allan Whyte went missing.

What happened to the teenagers remains a mystery, but a photograph has surfaced which could be the missing pair, as it was taken in Geelong the same year they vanished.

16 year old Maureen and 17 year old Allan were last seen leaving a YMCA dance on Mundy Street, Bendigo, on November 23, 1968.

A Victorian coroner ruled in 2014 they likely met with foul play.

Investigators have been told the photograph was taken at a boarding house in Aberdeen Street in Geelong in 1968, and depicts two young people who fit the description of the missing pair.

Writing on the back of the photograph says: “Neil and Kay. Kay is asleep on her feet, Neil is supporting her with his elbow.”

Acting Inspector Tony Combridge said detectives are now trying to find anyone else who can identify the people in the photo.

“The photographer who provided it to us told us it was a spur-of-the-moment photo. But it’s not clear as to why the photo was taken by her.

“The boarding house is no longer there but there might have been some people who had transited through there,” he said.

Since being handed in to police by a member of the public in 2019, the photograph has undergone specialist forensic analysis by both Victoria Police and the Australian Federal Police to help determine whether the pair in the photograph are, in fact, Allan and Maureen.

But due to the age and quality of the photograph, comparisons with existing photographs of the Bendigo teens were inconclusive.

Maureen’s sister Lyn Ireland has not accepted the haunting image was the pair.

“I’m telling you it’s not them, they’re dead,” Ms Ireland said.

“It is probably someone who did come from Swan Hill and did go to Geelong,” she said.

Jodie MacDonell, who is married to Maureen’s nephew, said several other family members are shocked by the photo surfacing now, but also not convinced it was the pair.

“It’s their brother and sister, so they know what they [the teenagers] look like,” Ms MacDonell said.

Ms MacDonell added despite the families’ doubts, she was glad to see the photo has given the case new exposure.

“We don’t believe it’s them but if it puts their case back out into the spotlight, that can only be a good thing.

“I would plead with anyone out there with information to please come forward. It’s torture for the families.”

A $1 million reward remains on offer for information relating to the disappearance of the teenagers, who were last seen in Bendigo in November 1968.

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Photo of two cuddling penguins in St Kilda wins global photography award


A picture of two little penguins cuddling as the lights of Melbourne’s CBD twinkle in the background has won a top photography award.

German photographer Tobias Baumgaertner’s image, taken at St Kilda in 2019, took out the community prize for Oceanographic magazine’s Ocean Photograph Awards.

“These two Fairy penguins poised upon a rock overlooking the Melbourne skyline were standing there for hours, flipper in flipper, watching the sparkling lights of the skyline and ocean,” he wrote on Instagram. The image received more than 57,000 likes on Instagram after Baumgaertner posted it in March this year. 

Though a beautiful image, the photo has been slightly controversial after Baumgaertner admitted the story behind the two penguins wasn’t true.

In his original post Baumgaertner said “a volunteer approached me and told me that the white one was an elderly lady who had lost her partner and apparently so did the younger male to the left. Since then they meet regularly comforting each other and standing together for hours watching the dancing lights of the nearby city.”

But in a follow up post, Baumgaertner admitted his previous post had been “romanticised” and that the penguins might be related.

“I am a dreamer,… I believe that it is important to have dreams as they make life worth living and give love meaning. I previously shared these penguin images to spread love because that, I believed, is what the world needed most right now. It was never intended to be scientifically accurate as it was quite obviously romanticised by adding my personal feelings of being separated from and longing for the one I can’t live without,” he wrote.

“I’ve been advised by the scientific community that anthropomorphising animals can have a negative influence on them as it can lead to inappropriate behaviours towards wild animals”.

St Kilda’s penguin colony can normally be seen every night of the year at the breakwater at the end of St Kilda Pier. There are about 1400 little penguins in the colony. Viewing is currently closed due to COVID-19. For details, see stkildapenguins.com.au

While the story about the penguins’ relationship may not be true, the image remains accurate and is one of several Baumgaertner took of the penguins. More of his work can be found on his Instagram page as well as at tobiasvisuals.com. A rundown of all the winners can be found here.

See also: Aussie wins world’s funniest wildlife photo for 2020

See also: 49 countries in six years: Aussie photographer reveals most beautiful places on Earth



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Our Year on Zoom: A Photo Essay


Photographs by Thomas Dworzak / Magnum Photos


Zoom, for most of us, arrived last year. And didn’t it feel right on time? Eerily on the button. As if the nine-foot locusts that run the universe, in a spasm of insect whimsy, had given us simultaneously a deadly, denormalizing virus and a new medium of human communication in which to freak out about it.  

Not a flawless medium, by any means. Zoom drained and flattened. It boxed and confined. It got stuck, freezing beloved or not-so-beloved faces into a rictus of electro-smear. Some people got headaches from all the weird shouty talking. From all the nostrilly loomings. From all the being looked at. From all the looking at yourself, because Zoom also involved you, the user, in a kind of reptile staredown with your own Zoom image. (Only once I’d discovered the “Hide Self-View” feature, a month or so into the pandemic, could I settle down on Zoom.)

family with baby and 1st birthday candle
. A family in and around New York celebrates the 1st birthday party of a child in a ZOOM call.

diptych of a grid of a dancers on one side and a woman clapping on the other
Left: Bolshoi Theatre in Moscow practice. Right: Church service on zoom.

But there was poetry in it, too. In the world that we had abruptly entered, Zoom was the poorly lit liminal space—between home and work, between contact and estrangement, between you and not-you. And it helped, no question. Broadcasting from our little Zoom hutches, from our strange dioramas of domesticity, we beat back the infestation of isolation. Business got done. We stayed in touch.

The online club called Quarantine on ZOOM.

Grid of LA police commissioner talk participants
Los Angeles Police Commission and the LAPD weekly meeting, held days into the nationwide unrest following the killing of George Floyd in Minneapolis, MN.

a black man on zoom on left and two women holding a candle on right
Online protest and candlelight vigil.

I like the Zoom moments captured here, by the photographer Thomas Dworzak. In their humble aesthetics they seem to confess the inadequacy of the image: the impossibility, the inappropriateness, of an iconic Robert Capa–style shot that crystallizes the pandemic for us. But each one is part of a single, global story: the story of how we managed. And failed to manage. Some of the faces are engaged, alert, present, fully into their Zooming; others are puffy with blankness, not in the mood at all. There are weddings, birthdays, physiotherapy sessions, ballet classes, court dates (the stare of a judge on Zoom is especially august), bursts of activism and testimony. The images are not autonomous. Even the most fabulously random tableau—say, the shirtless man with no eyebrows, hefting in each hand what looks like a condom filled with water—exists within, and depends upon, the blurry continuum of Zoom.

Two men kissing after getting married
A wedding in New York,

diptych a dancer on left in leopard tights and a couple on right huddled in front of a cross
Left: US Presidential election event. Right: Church service.

woman drinking wine and pointing to Georgia election map
US Presidential election night

Have we been changed by all this? Have we been changed by Zoom? “The suburban office park is dead,” I was told authoritatively the other evening by a man who seemed to know what he was talking about. Work habits have shifted. So that might be something. Otherwise, look around—we’re grinding slowly and sulfurously backwards into the regular. Flights are full, traffic is stacking up, the wheels of commerce are turning. Humans, we have missed. But maybe not the planetary weight of humanity. In Dworzak’s collage of images, we see that weight being mysteriously, messily, awkwardly, and somewhat beautifully sublimated. We see it being thrown, for a moment, onto a new plane.

diptych one man with tropical zoom background and the other image of people running on decks
Left: The annual Goncourt literary prize announcement. Right: Virtual marathon Mécénat Chirurgie Cardiaque. Runners are running in their apartments, houses or yards.

a man dressed as Santa Claus
Santa in Dubai.

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The best footy photo of 2021 might have been taken in round one


Footy photographer Michael Willson has wasted no time this season, capturing one of the all-time great AFL photos just two games into round one.

AFL fans were left stunned by the shot, which depicts Doggies midfielder Bailey Smith in full flight — literally — during Friday night’s clash between the Bulldogs and Magpies.

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Willson’s shot shows Smith leaping over two players to evade Pies star Jeremy Howe, his mullet swaying majestically as he manages to dispose of the footy.

RELATED: Who was Eddie at the footy with?

RELATED: Fans fume at crowd’s ugly move

“Seriously, that is brilliant in every way,” AFL commentator Alister Nicholson said of Willson’s photo.

Elsewhere, fans called it “incredible”, “amazing” and “the best photo”.

The shot summed up an extraordinary night at the office for Smith. He was seemingly everywhere in the Bulldogs’ 16-point win, chalking up two goals, seven score involvements and 35 disposals in his best-on-ground performance.

Coach Luke Beveridge opted to shift Smith around the park during the game, a move which didn’t seem to faze the young Bulldog.

“(Smith) spent half the night on the wing and half the night as an inside mid. He’s a prime example of being flexible,” Beveridge said in his post-match press conference.

RELATED: AFL legend rips into $7m star

“He’s played some good footy, but to have it 35 times and kick two goals, that’s a reasonable game for a midfielder who wasn’t always inside.

“He’s a fine example of how we will adapt as we need to.”

As for Willson, the photographer knows all about capturing the game’s most breathtaking moments.

He was responsible for the iconic photo of Tayla Harris which prompted “inappropriate and offensive comments” in 2019 and was later immortalised in a statue at Federation Square — and another ripper of her taking a big grab this season.

Also in 2019, Willson snapped a photo of Brisbane’s Darcy Gardiner and GWS forward Jeremy Finlayson kissing during the finals series. Online, that pic was dubbed “photo of the season” and “beautiful”.

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Kim Kardashian poses for a sexy St Patrick’s Day photo shoot


Kim Kardashian is not letting her divorce get in the way of having a sexy photo shoot.

The 40-year-old beauty mogul and reality star has uploaded a sexy St Patrick’s Day photo shoot to Twitter, to help promote a new KKW beauty product.

The mother-of-four posted the extremely NSFW photo online, alongside a video showing off her very revealing outfit.

RELATED: Kim and Kanye relations worsening

Kim and Kanye are currently going through a divorce, with the reality star recently claiming that the past year has been a “huge cleanse”.

The Keeping Up with the Kardashians star opened up on Good Morning Vogue about the hardships she has faced over the past year.

“I think this year has been challenging for so many people but I also think that this year was a huge cleanse and just a huge opportunity for people to really be grateful for the simple things,” Kardashian said on Monday.

“That is a huge – I think awakening that some people had.”

Despite a tumultuous year characterised by the coronavirus pandemic and her divorce from Kanye West, Kardashian says that she looks back at 2020 “in a positive way”.

“I always try to look at things in a positive way,” she continued.

“Even though it has been such a challenging year, it’s a time to regenerate, get creative, spend so much time with family and just this time I’ve been able to spend with my children has been priceless. That part has been so beautiful.”

RELATED: Kim’s huge $51m win in Kanye divorce

The Skims mogul filed for divorce from West after nearly seven years of marriage and several months of rumours throughout 2020.

According to legal documents obtained by TMZ, the reality TV queen is asking for joint legal and physical custody of the couple’s four kids, North, 7, Saint, 5, Chicago, 3, and Psalm, 1.

West, 43, is reportedly not objecting.

The couple had battled over their sprawling Hidden Hills property in their divorce, but Kim was allowed to keep the mansion as the main home for their children.

The source added: “Kim owns all the land around the house, but Kanye had bought the house himself, then they split the cost of the renovations. Kim fought to keep the place because it is their children’s home, and she won.

“Kanye of course has his ranch in Wyoming, but he has recently been in LA recording and working so he comes to visit the kids regularly. But she’s not shuttling the kids up to Wyoming and back.”

Plus, the source added, the division of their finances in the divorce was easy because of their prenup.

“It was an easy case of ‘You keep your money and I’ll keep mine’,” they saiid.

Elements of the split decision are expected to play out on the upcoming 20th and final season of Keeping Up With The Kardashians, which will premiere in Australia on Friday, March 19 at 11am.

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