AFL releases the next three rounds of footy as top timeslot returns

The fixture for the next three rounds of footy has been released.

Thursday night football has returned, taking place through the bye rounds.

Round 13 is headlined by a top four battle between the Power and Cats, while the Tigers feature in primetime across the following fortnight.

See the full fixture below:

Round Thirteen

Thursday, Jun 10

Port Adelaide vs. Geelong Cats

Friday, Jun 11

Sydney Swans vs. Hawthorn

Saturday, Jun 12

Fremantle vs. Gold Coast SUNS

St Kilda vs. Adelaide Crows

Sunday, Jun 13

North Melbourne vs. GWS GIANTS

Monday, Jun 14

Melbourne vs. Collingwood

Byes: Brisbane Lions, Carlton, Essendon, Richmond, West Coast Eagles, Western Bulldogs

Round Fourteen

Thursday, Jun 17

West Coast Eagles vs. Richmond

Friday, Jun 18

Geelong Cats vs. Western Bulldogs

Saturday, Jun 19

Gold Coast SUNS vs. Port Adelaide

North Melbourne vs. Brisbane Lions

GWS GIANTS vs. Carlton

Sunday, Jun 20

Hawthorn vs. Essendon

Byes: Adelaide Crows, Collingwood, Fremantle, Melbourne, St Kilda, Sydney Swans

Round Fifteen

Thursday, Jun 24

Brisbane Lions vs. Geelong Cats

Friday, Jun 25

Richmond vs. St Kilda

Saturday, Jun 26

North Melbourne vs. Gold Coast SUNS

Collingwood vs. Fremantle

Essendon vs. Melbourne

Port Adelaide vs. Sydney Swans

Sunday, Jun 27

GWS GIANTS vs. Hawthorn

West Coast Eagles vs. Western Bulldogs

Carlton vs. Adelaide Crows

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Golden Globes: NBC will not air 2022 awards as Tom Cruise returns his gongs | Ents & Arts News

US network NBC will not air the Golden Globes in 2022, following criticism over a lack of diversity in the group that organises the awards.

The Hollywood Foreign Press Association (HFPA), which oversees the TV and film prizes, has faced a Hollywood backlash after it emerged in February that none of its members are black.

The association’s ethics have also been questioned over alleged discriminatory practices, including apparently accepting inappropriate “freebies” following a Los Angeles Times investigation.

The awards have come in for criticism over its lack of diversity in recent months

And now, NBC, the broadcast partner, has decided not to air next year’s ceremony.

It said in a statement: “We continue to believe that the HFPA is committed to meaningful reform. However, change of this magnitude takes time and work, and we feel strongly that the HFPA needs time to do it right.

“As such, NBC will not air the 2022 Golden Globes.

“Assuming the organisation executes on its plan, we are hopeful we will be in a position to air the show in January 2023.”

As well as losing its broadcast partner, Tom Cruise has returned his three Golden Globes in protest against the HFPA.

Cruise won the best actor award for Born on the Fourth of July in 1993, the best actor prize for Jerry Maguire in 1997 and the best supporting actor statuette in 2000 for Magnolia.

Tina Fey and Amy Poehler host the Golden Globes 2021. Pic: NBC
Tina Fey and Amy Poehler hosted this year’s virtual ceremony Pic: NBC

Also, Scarlett Johansson said she had been subjected to “sexist questions and remarks by certain HFPA members that bordered on sexual harassment”.

Netflix and Amazon, two of the biggest players in Hollywood, previously said they would not work with the HFPA until it introduced more meaningful reform.

WarnerMedia, which owns HBO and Warner Bros, also said it would not work with the association.

The association had promised to address its diversity problem by admitting more black members.

Cast member Tom Cruise attends a news conference promoting his upcoming film "Mission: Impossible - Fallout" in Beijing
Tom Cruise has won three Golden Globes but has returned them in protest

The 2021 ceremony took place on 28 February, with the HFPA apologising during the show and promising reform.

The association announced its plans for reform last week, which included increasing its membership by 50% and hiring diverse advisers.

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The HFPA has retained US law firm Ropes & Gray to help implement the plan, with President Ali Sar saying the plans “reaffirms our commitment to change”.

However, the proposals were widely criticised.

Time’s Up, founded in the wake of the Harvey Weinstein scandal, said the plans fell short of what was required.

Golden Globes 2020 - Scarlett Johansson on the red carpet
Scarlett Johansson, pictured here in the 2020 Golden Globes ceremony, has also criticised the Hollywood Foreign Press Association

Netflix chief executive Ted Sarandos said the streaming giant’s relationship with the HFPA was on hold “until more meaningful changes are made”.

The HFPA is an organisation of an estimated 90 non-US journalists based in southern California.

HFPA has been contacted for comment.

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ABC Far North and Cairns Show Society bush poetry competition returns

Due to popular demand the ABC Far North and Cairns Show Society bush poetry competition is set to return.

Bush poets are being encouraged to throw their hats in the ring and finalists will be given the chance to perform their works live at the upcoming Cairns show.

The judges for this year’s competition are ABC Breakfast presenter Kier Shorey, long-time CWA member and bush poet enthusiast Meg Trimble and former ABC Rural reporter David Howard, who said he could hardly wait.

“I’m so delighted that this competition is back,” Howard said.

Ms Tremble said that bush poetry was about Australia and Australians.

“Bush poetry should be about the Australian way of life, but the Australian way of life changes from generation to generation,” she said.

Judging will take place weekly so get your entry in now to be named one of the weekly finalists.

Entries can be sent to PO box 932 Cairns 4870, or via email to

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Australia news live: Greg Hunt has ‘absolute belief’ that banning returns from India is legal | Australia news

The environment minister, Sussan Ley, has made a declaration to permanently protect an area on Mount Panorama/Wahluu under section 10 of the Aboriginal and Torres Strait Islander Heritage Protection Act.

The declaration, which has been welcomed by the Wiradyuri Traditional Owners Central West Aboriginal Corporation, follows an emergency order in March that halted the commencement of works for a go-kart track at the famous motor racing site.

The section 10 declaration will protect the site from the construction of buildings and significant earthworks, while preserving the site’s existing uses for recreation such as camping.

The Wiradyuri Traditional Owners Central West Aboriginal Corporation in 2019 lodged a protection application over concerns a sacred women’s site would be destroyed.

Ley said: “I am satisfied that the area identified at the top of Mount Panorama/Wahluu, one that helps define the iconic shape of the mountain top, is culturally significant and should be protected under the ATSIHP Act”.

She said the declaration covered a reduced area to that previously sought and did not prevent existing motor racing, sporting and recreational activities or other existing public activities on the mountain.

“It acknowledges the cultural significance Mount Panorama/Wahluu has for the Wiradyuri people, in contributing to local Aboriginal narratives, songlines, ceremonies and cultural heritage,” Ley said.

Yanhadarrambal, the corporation’s co-director and public officer, said the declaration was “an important decision for all First Nations people in Australia and for all Australians”.

“The minister has ratified our position with regard to the cultural importance – in particular the intangible cultural heritage of Wahluu Mount Panorama,” he said.

Yanhadarrambal said the corporation was not opposed to the developer, the Bathurst regional council, from finding an alternative site for the proposed go-kart track.

“It is refreshing to see that logic has prevailed,” he said.

“We would also like to reiterate the fact that our action regarding our traditional land, and the minister’s decision, did not and will not have any effect on car racing on the Mount Panorama car racing circuit moving forward,” he said.

Comment has been sought from the Bathurst regional council.

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MONA’s Dark Mofo festival returns to Hobart in 2021 with ‘some trepidation’ after COVID shutdown

Popular Tasmanian winter festival Dark Mofo has been put back on this year’s calendar, but organisers still fear for its future.

Hobart’s Museum of New and Old Art (MONA) was one of the first to pull the plug on a major event in Tasmania last year due to coronavirus, announcing in March that the 2020 Dark Mofo would not go ahead.

Soon after, the Hobart City Council said it wouldn’t be funding Dark Mofo until at least 2022, also because of the pandemic.

But late on Thursday, MONA issued a statement announcing dates for a 2021 Dark Mofo festival, saying the full program would be announced in early April.

This year’s festival will run for one week only.(

Supplied: Dark Mofo/Jesse Hunniford


Shorter festival shorn of sponsors

Creative director Leigh Carmichael said he was approaching the June event with trepidation.

“Last year we lost our sense of purpose overnight, and it appears that experience is having a resounding impact on this year’s festival program,” Mr Carmichael said.

Mr Carmichael said this year’s event would be shorter, running from June 16 for seven days, and that there had been a decision to scrap sponsorship.

“We felt they were having a detrimental effect on the festival,” he said.

“We don’t really want to see this festival used as a vehicle to sell commercial products … it’s never what it was started for.

“There were also impositions on us to push out products through our social media channels … it just didn’t feel right to us we felt it was becoming difficult to distinguish between the art and sponsors at times.

“It certainly helped us have a bigger festival, but we’re not sure bigger’s always better.”

Picture of a red inverted cross outside a tall building
Dark Mofo’s inverted crosses offended some from the Christian community.(

Supplied: Dark Mofo


Dark Mofo has drawn criticism for its provocative use of symbols, most notably for the inverted crosses erected around the city at the 2018 festival.

Mr Carmichael said his team “really see Dark Mofo’s value to Tasmania and we felt it would slowly lose its appeal if we were unable to continue down that path of being on the edge, which sometimes sponsors get a bit nervous about”.

“We want to be able to pursue our own cultural agenda free from restraint and with a renewed commitment to the art.”

A middle aged man stands in a city alleyway.
Leigh Carmichael has been involved in David Walsh’s Museum of Old and New Art since its inception, initially as a graphic designer.(

MONA/Rosie Hastie


Mr Carmichael said this year would also mark the end of a five-year funding agreement with the Tasmanian Government and that, combined with the loss of council funding and the cutting of sponsors, left the future of the event in limbo.

MONA created ripples across the state when it announced last March, a week after Tasmania recorded its first case of coronavirus, that the festival was cancelled.

Dark Mofo has been running in Hobart since 2013 and includes feature events like the Winter Feast and nude solstice swim.

The festival had been credited with bringing an otherwise quiet city to life in the depths of winter.

People feast in the dark indoors with lots of illuminated red crosses.
Hobart City Council has withdrawn its funding from this year’s Winter Feast.(

Supplied: Dark Mofo/Jesse Hunniford


‘Could be great, could be terrible’: Walsh

MONA owner David Walsh has likened the festival’s comeback to that of American Olympic swimmer Mark Spitz, who attempted a career resurgence aged 41.

“Dark’s back, which, in the immortal words of Mark Spitz, who was also making a comeback, ‘could be good, could be great, could be terrible’.

“Mark didn’t mention that there is another possibility: it could be cancelled.

“But it wouldn’t be worth doing if there was no risk.

“There’s lots of risk, so it must really be worth doing.”

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The Queen returns to royal duties, hosts virtual audiences with ambassadors

The Queen has returned to royal duties and has carried out her first official engagement since the Duke of Edinburgh’s funeral.

Her Majesty, who celebrated her 95th birthday last week, held two virtual audiences with the ambassadors of Latvia and Ivory Coast.

Photographs from the palace show a smiling Queen dressed in pale blue florals, a stark change from the compulsory black attire during the royal mourning period, which ended on Friday.

Ambassadors Ivita Burmistre and Sara Affoue Amani presented Her Majesty with the Letters of Recall from their predecessors and their own Letters of Credence.

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The cities and regions where rental returns are on the rise

Rental returns have taken a hit from rapidly rising property prices, but there are some cities and regions bucking the trend with rising rental yields, new figures show.

Returns for investors have dropped as low as 3 per cent for houses in Australia’s largest cities, the latest quarterly Domain Rent Report shows, with rental yields at a median of 3.73 per cent nationally last quarter.

Perth and Darwin were the only capital cities where gross rental yields for houses were up year-on-year, at 5.11 per cent and 5.63 per cent respectively, however other capital cities, bar Melbourne, saw a marginal improvement over the March quarter.

House Gross Rental Yields

Yield Q1 2021Yield Q1 2020

A growing number of investors are poised to return to the property market, fuelled by record low interest rates and strengthening market outlooks. Investor lending is up 31.6 per cent year-on-year, according to the latest ABS statistics.

With house yields at a record low in Sydney, and nearing record lows in Melbourne, investors could look further afield, Domain senior research analyst Nicola Powell said.

House yields in both Perth and Darwin have accelerated since mid-last year and were close to record highs, as rents – up more than 14 per cent in both cities annually – rose faster than property prices, Dr Powell said.

The median house rent in Darwin is now as expensive as in Sydney, at $550 per week, and unit yields in Darwin have already reached a new peak of 7.3 per cent.

Unit Gross Rental Yields

Yield Q1 2021Yield Q1 2020

Adelaide and Perth were the only other capitals to see unit yields rise annually, hitting 5.48 and 5.72 per cent, respectively. The national figure was 4.02 per cent, with other capitals – again with the exception of Melbourne – seeing a slight rise over the quarter.

Dr Powell expected more investors would turn to Perth, which offered high yields and was also tipped for strong capital growth after a prolonged market downturn. She was more wary of Darwin, where the outlook for medium- to long-term capital growth was more uncertain.

Yields also rose, for the most part, across regional Australia, with rental prices in many pockets on the rise due to the sea- and tree-change trend seen amid the coronavirus pandemic.

Rental returns were up year-on-year in half of the regional council areas in NSW and Victoria, and the bulk of regional Queensland, South Australia and Western Australia. The Alpine Shire in north east Victoria, Port Augusta in SA and Queensland’s Western Downs council area, three hours west of Brisbane, saw the biggest rental yield rises.

Regional areas with largest rental yield rises

LGAYield Q1 2021Yield Q1 2020
SAPort Augusta7.86%6.25%
QLDWestern Downs6.34%5.36%
SABerri Barmera8.18%7.06%
SAClare And Gilbert Valleys6.00%5.23%
WAGreater Geraldton5.49%4.86%
SACopper Coast5.75%5.11%
WAPort Hedland8.17%7.27%

Low vacancy rates in many regional markets meant rental prices were outpacing solid property price growth, enabling rental returns to hold steady or rise, even as it became more expensive to buy into the market, said Simon Pressley, head of research at Propertyology. He expected this would continue for several years until investor activity boosted rental supply.

“We are seeing rents all over Australia go through the roof,” Mr Pressley said. “[An investor knows] that at the first open home for tenants, there will be 30 people coming through the door in a half hour; they will have 10 rental applicants fighting over each other like seagulls over a chip.

“If you’re the client that’s great, but if you’re that tenants it’s not good.”

However both Mr Pressley and Dr Powell warned investors against chasing the highest rental yield, noting they should consider potential capital growth – which could deliver greater returns – and holding costs.

While property price rises were overdue in both Perth and Darwin, Mr Pressley said he would not personally invest there because of a lack of sufficient economic diversity to ensure long-term capital growth.

He would also avoid Sydney and Melbourne, noting that some of the best opportunities for investors would be in Hobart, Adelaide, Brisbane and Canberra.

For properties with low rental yields, Mr Pressley added, investors also needed to stress test whether a limited cash flow would be viable if they experienced a change in life circumstances.

Investor activity was shifting away from Sydney and Melbourne, where rental markets had been harder hit by border closures, said Jennifer Wakeman, general manager of Momentum Wealth, a Perth-based property investment consultancy.

“Investor activity is turning away from Sydney and Melbourne and is instead focussing on cities with tighter rental markets and greater affordability, like Perth and Brisbane.”

“Investors who enter the Perth and Brisbane markets will benefit from the forecast upswing, and the current affordability and tight rental markets are presenting dual benefits for investors.”

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Struggling Saint Bradley Hill returns after brief trip back to WA

St Kilda players reconvened at Moorabbin on Monday for a day of meetings and soul-searching. Zak Jones (managed) and Rowan Marshall (foot) should both return against the Power, while Paddy Ryder is also on the cusp of playing his first senior game for the year following a solid training block after leaving Victoria last month for personal reasons.

The Saints were thumped by Richmond last week.Credit:Getty Images

Veteran big man Shaun McKernan put his hand up for a senior recall with 23 disposals and four goals against Richmond in the VFL at Punt Road on Friday, while speedy young midfielder Ryan Byrnes had 22 disposals and a goal in what was his first game back from a hamstring injury.

Ratten said after Thursday night’s game that the Saints are keen to inject Byrnes into their side. He would potentially provide a point of difference from St Kilda’s current midfield led by Jack Steele and consisting of Jack Bytel, Brad Crouch, Seb Ross and Luke Dunstan, who filled in for Jones against the Tigers.

Jade Gresham is out for the season with an Achilles injury, while Dan Hannebery is a mid-season prospect because of his latest calf injury.

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Inspiring footy tale returns to the Potato Shed

A play-turned-film about a local footy club recruiting refugees in a fight to survive will return to Drysdale this month in its original onstage rendition.

Released in 2018, The Merger this January debuted on Netflix, which sent its audience numbers skyrocketing, according to creator Damian Callinan.

“Netflix is an incredibly powerful and accessible means of getting your story out there,” the comedian told the Independent, while on a drought-relief tour in country NSW.

“Netflix don’t give you the figures, but going anecdotally and on social media movement, I reckon 10 or 20 times more people have seen the film now.”

The film originated from Callinan’s one-man show featuring prodigal son and former footballer Troy Carrington – a long-time character in his repertoire.

“He’s the character I’ve been doing the longest,” Callinan said.

“Right from the very first night people were saying you should do a film.”

After retiring from his playing days, Carrington comes to Bodgy Creek, where the population is dwindling, the mill is closed and Tidy Town sign has fallen down.

The next victim of the town’s decline is the cash-strapped Roosters Football Club, where Carrington takes over as coach.

The struggling club is at risk of a merger, or as a character in the film puts: “when one s**t team joins up with another s**t team to make a slightly less s**t team.”

“The team’s a rabble, the club rooms are condemned and Troy can barely fill the side,” Callinan said.

So Carrington decides to recruit local refugees, many who have never seen a Sherrin, and teach them to play footy, with often hilarious results.

Callinan plays several characters, including sock puppets and radio commentators in the play.

“People who see the film say, ‘how do you do that as a one-man show?’ and people who see the show say, ‘how did you do the film?’”

Callinan returns to the Potato Shed, Drysdale, for the show beginning 8pm on Friday, April 30, following his tour of NSW.

The stand-up comedian has been going above and beyond on his journey throughout the drought-affected and now flood-stricken region.

“If you look at disasters on the map in the last couple of years all the red dots are in northern NSW,” he said.

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Record breaker Cameron Smith would trade it all in for a green jacket as he returns to Augusta National as top Australian hope

There was a sense of calm about Smith all week, as he scrambled his way to a record not even Woods, Nicklaus or Player could achieve. Yet it still wasn’t enough to win as Johnson broke plenty of scoring records himself.

“We were doing our own thing and the game felt good leading up to that week as well, which is a massive positive when you’re going to somewhere you love and you know you can play well at,” Smith said. “It was just very calm.

Dustin Johnson is presented the green jacket by Tiger Woods.Credit:AP

“But it’s going to be nice having some people out there making some noise this week. That place is so cool when there’s people there, the roars that go through the whole course [are amazing]. It will be good to have that atmosphere back, which was definitely lacking last year.”

Smith will join 2013 Masters hero Adam Scott, Jason Day, Marc Leishman and Matt Jones in the Masters field. For the first time, he’s the bookmakers’ pick to be the top Australian at a course where he’s never missed the cut in four attempts and has two top-five finishes.


For someone who prefers to sidestep the limelight, he will be firmly in it this week after being paired with the rejuvenated Jordan Spieth and major winner Collin Morikawa for the first two rounds.

Smith, 27, hasn’t seen his coach Grant Field in person since the COVID-19 pandemic began, resorting to weekly FaceTime catch-ups to iron out any deficiencies in his game.

He’s the first to admit the chances of anyone matching his record this week are remote, the drier conditions in the Masters’ traditional April timeslot set to make scoring tough again.

Maybe the only difference since Smith’s last trip to Augusta is that he’s fishing a lot more now than last year. And there’s also the wild mullet he’s refused to cut since growing it during lockdown, which he doesn’t dare touch now.

“A lot of the rugby league guys had it and then after a while I thought, ‘stuff it, I’m just going to keep it’,” Smith said.

“My girlfriend [Jordan Ontiveros] hates it. My mum is coming around and my nan thinks it’s the best thing ever. I’m afraid I’m going to wake up one night and [Jordan’s] going to be chopping it off.”

As for dad, he doesn’t care what hairstyle his son’s rocking as he’s a chance of righting Norman’s wrongs from all those years ago. And he won’t need to turn up for work if he does.


Cameron Smith

  • World ranking: 30
  • Best Masters finish: T2 (2020)
  • First round pairing: Jordan Spieth, Collin Morikawa (4am Friday morning AEST)

Adam Scott

  • World ranking: 32
  • Best Masters finish: Won (2013)
  • First round pairing: Bryson DeChambeau, Max Homa (3.36am Friday morning AEST)

Marc Leishman

  • World ranking: 39
  • Best Masters finish: T4 (2013)
  • First round pairing: Victor Perez, Jason Kokrak (2.12am Friday morning AEST)

Jason Day

  • World ranking: 52
  • Best Masters finish: T2 (2011)
  • First round pairing: Matthew Wolff, Cameron Champ (11.36pm Thursday night AEST)

Matt Jones

  • World ranking: 55
  • Best Masters finish: Cut (2014)
  • First round pairing: Sandy Lyle, Dylan Frittelli (10.12pm Thursday night AEST)

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