Legendary burlesque performer Tempest Storm dies age 93: ‘Queen of Erotic Dancers’ dated Elvis Presley, had her 44DD breasts insured for $1MILLION and put on shows until she was in her 80s ‘bringing the art of striptease to the masses’



Tempest Storm, the burlesque dancer credited with bringing ‘the art of striptease to the masses’, has died at the age of 93. 

The flame-haired bombshell, who had her 44DD breasts insured for $1 million, passed away at home in Las Vegas Tuesday afternoon following a short illness.

Storm had a successful stage career spanning more than six decades, and was still headlining shows in Sin City into her 80s. 

The busty beauty became a Las Vegas legend, dubbed ‘the Queen of Erotic Dancers’. She boasted famous friends including Frank Sinatra, Dean Martin, Jerry Lewis and Marilyn Monroe.  

Storm also had a short-lived romance with Elvis Presley and even claimed to have had an affair with President John F. Kennedy. 

In a 2014 interview with DailyMail.com, Storm stated that the secret to her success was being ‘sexy and classy’ at the same time. 

‘You need to be sexy and tease the audience,’ she stated. ‘Make them believe that they are a part of your life at that time. ‘

‘I’ve been around more than 60 years and had the longest career of anyone in the business. There’s nothing I haven’t done, I’ve been through it all.’ 

Storm was born Annie Blanche Banks in Eastman, Georgia back in 1928.

The daughter of a sharecropper, she left school in the seventh grade and had two failed marriages by the age of 16. 

Soon after, she set out for the bright lights of Los Angeles, hoping to make it as an actress, but a burlesque career beckoned. 

According to The Las Vegas Review Journal, Storm was working as a cocktail waitress when her voluptuous frame attracted the attention of stage manager Lilian Hunt. 

Storm subsequently began a career in burlesque, and quickly became the highest-paid dancer in the country. 

‘I didn’t want to be just a flash in the pan. I told myself that if I was going to make it, I was going to be a big star. I had a lot of drive. I wanted to be the best,’ she told DailyMail.com in 2014.

By 1956 – aged just 28 – Storm was already raking in $100,000 a year. She soon began taking her shows on the road, and even performed at New York City’s Carnegie Hall. 

She had her most famous assets – her eye-popping breasts – insured by Lloyd’s of London for $1million. 

Storm frequently put on shows in Las Vegas, and soon settled in the city on a permanent basis.  

As one of the world’s most desired women, Storm’s love life also attracted column inches. 

Her most famous fling was with Elvis Presley in 1957 – a romance she recounted in her interview with DailyMail.com 

‘I was mixing in high circles and a lot of big names would come and watch my shows. That is how I met ‘Elvis the Pelvis”, she proclaimed. 

Thank you for dropping in to My Local Pages and seeing this news release involving current United Kingdom and Political news called “Legendary burlesque performer Tempest Storm dies age 93: ‘Queen of Erotic Dancers’ dated Elvis Presley, had her 44DD breasts insured for $1MILLION and put on shows until she was in her 80s ‘bringing the art of striptease to the masses'”. This news release was posted by MyLocalPages Australia as part of our national news services.

#Legendary #burlesque #performer #Tempest #Storm #dies #age #Queen #Erotic #Dancers #dated #Elvis #Presley #44DD #breasts #insured #1MILLION #put #shows #80s #bringing #art #striptease #masses



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Hyperlocal Indigenous Art Program


Outdoor Gallery, Brisbane

The Indigenous Art Program, Hyperlocal, will transform Brisbane’s streets and laneways into a stunning outdoor gallery of Aboriginal artworks from May 1 – July 31, 2021.

Featuring new artworks from Australia’s leading Aboriginal artists, the exhibition will be complemented by an exciting program of tours, talks and workshops for children and adults.

Recent events have changed our ability to travel and during 2020 there was a recognisable shift in our appreciation for community resources, homegrown produce, and locally sourced skills and services. This program profiles Aboriginal artists that remained in Brisbane during 2020 and the global success produced in our own backyard.

The Hyperlocal exhibition includes artworks by the following artists: Robert Andrew, Vernon Ah Kee, Tony Albert, Bianca Beetson, Richard Bell, Fiona Foley, Dale Hardin, Gordon Hookey, Ryan Presley and Judy Watson.

Need to know – From May 1 you can book walking tours starting from Museum of Brisbane, 64 Adelaide Street Brisbane City. Book HERE 

Brisbane City Council is a valued partner of Must Do Brisbane.com

The Hyperlocal exhibition includes artworks by the following artists: Robert Andrew, Vernon Ah Kee, Tony Albert, Bianca Beetson, Richard Bell, Fiona Foley, Dale Hardin, Gordon Hookey, Ryan Presley and Judy Watson.

Need to know – From May 1 you can book walking tours starting from Museum of Brisbane, 64 Adelaide Street Brisbane City. Book HERE 

Brisbane City Council is a valued partner of Must Do Brisbane.com

Hyperlocal Indigenous Art Program

Various locations

Brisbane

May 1 – Jul 31, 2021

Free

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Hands on art for school holidays


Common in the subcontinent, the Middle East and parts of Africa, Henna involves creating patterns, which fade over time, on the hands, arms and other body parts.

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Missing Brett Whiteley painting Waves V found during Launceston art gallery audit


An ink drawing by a famed Australian artist has been re-discovered after almost 45 years, lost in a collection of over 1.5 million items in a northern Tasmanian museum.

Launceston’s Queen Victoria Museum and Art Gallery (QVMAG) found the Brett Whiteley artwork that was acquired in the 1970s.

The drawing called Waves V was purchased by the gallery in 1976 and was recorded in the museum’s collections.

But the item was never seen again and has never been displayed, prompting the museum to contact Tasmania Police in 2018.

Previously, the Launceston City Council estimated the work was worth around $30,000, but are now looking to get the art re-valued.

The museum undertook a review of its archiving practices and a collection audit has been underway since 2019 leading to the artworks re-discovery.

Tracy Puklowski, general manager of creative arts and cultural services, said the artwork was found in one of the drawers at the museum earlier this week.

“The work wasn’t photographed so we didn’t know what we were looking for visually, which I think is a really interesting challenge when you’re dealing with a missing object,” she said.

“You can see on the bottom right corner that’s his seal or one of the seals that he used.

“The staff were very sure that they knew what they had found, but without that independent verification you just have to keep that little bit of caution.”

The ink drawing has now been verified.

QVMAG’s first audit provides digital catalogue

The audit is aimed at creating a database of the QVMAG’s 1.5 million objects, in what is the first full audit of the collection since the museum’s inception in 1891.

Until the start of the audit, only around 18 per cent of the museum’s objects were registered in the database.

QVMAG staff members believed the artwork may have been incorrectly catalogued due to an outdated method of record-keeping used during the 1970s.

QVMAG creative arts and cultural services general manager Tracy Puklowski and Launceston Mayor Albert van Zetten were thrilled to confirm the Whiteley had been located.(

ABC News: Manika Champ

)

Launceston Mayor Albert van Zetten said the audit could take years to complete.

“It’s something that was wrongly categorised, it probably didn’t have the name on it properly, so I can understand how we didn’t find it in the first place.

“As the museum has continued to grow and develop over the many years, 130 years, things have been done probably quickly at times.”

The museum has now committed to digitally document every item, from the smallest native fleas to the largest railway carriage.

Each artwork or object is briefly removed from its storage area, the details are entered into the database, a basic ID photograph is taken and a barcode is allocated before the piece is returned to its storage location.

After the items are entered into the database they can be uploaded to an online catalogue so audiences around the world can engage and research the collection.

Christine Hansen, the museum’s manager of knowledge and content, said the audit had provided a wonderful opportunity for QVMAG.

“Ultimately, a museum holds a record of the past and present for the future and we must preserve this as best we can,” Ms Hansen said.

“We are grateful for the opportunity to have QVMAG’s collection meticulously assessed and documented for present and future communities to treasure and learn from.”

Brett Whiteley
The late artist Brett Whiteley’s works sell for millions.(

Supplied: Transmission Films

)

Whiteley is one of Australia’s most celebrated artists, winning the Archibald, Wynne and Sulman prizes several times.

He worked across several mediums, including painting, sculpture and the graphic arts, but he is best known for his paintings of nudes, interiors and harbour scenes.

Last year, a painting by Whiteley broke an Australian art auction record, selling for $6.136 million.

The large painting, called Henri’s Armchair, only took five minutes to find a new owner.

Painting in French ultramarine and dark blood red, showing interior of room looking out to Sydney harbour, from artist's view
Henri’s Armchair (1974) by Brett Whiteley sold for $6.136 million dollars last year.(

Supplied: Menzies

)

Ms Puklowski said Waves V is an example of Whiteley’s later work and is “very calligraphic in style”.

“It’s not necessarily representative of other styles he worked on over the years but it does represent a very interesting part of his career,” she said.

In 1992, Whiteley died of a methadone overdose on the New South Wales south coast.

His home and studio located in Sydney’s Surry Hills have been turned into a museum that is managed by the Art Gallery of NSW.

Whiteley’s Waves V will be on display at Queen Victoria Art Gallery at Royal Park at the end of March.

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#Missing #Brett #Whiteley #painting #Waves #Launceston #art #gallery #audit



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Art for Autism – autistic adults 17 to 25 years


Do you have autism or know someone who has autism aged 17 -25 that loves art and wants to make friends while creating art?

When:

From: 1:30 PM to 3:00 PM,
Saturday, 17 April 2021

Where:

Helensvale Community Hall

Cost:

$30 per person

Type:

Public

Contact:

Leiza

Organisation:

Uniquely-Genius

Phone:

0451 988 188

Email:

info@uniquely-genius.com

Web:

https://www.uniquely-genius.com

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#Art #Autism #autistic #adults #years



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Director appointed for National Aboriginal Art Gallery


A Senior Director to lead the delivery of the National Aboriginal Art Gallery has been appointed, Minister for Arts, Culture and Heritage Chansey Paech announced today.

Tracy Puklowski will take up the role on 24 May 2021.

A media release by Mr Paech says Ms Puklowski will be responsible for leading a project team of five officers with various skills across curation, engagement and project management.

She will also provide input into the design of the art gallery; develop content and programming; and engage with stakeholders in Alice Springs, and nationally, to ensure the ongoing success of the gallery, says the release.

Ms Puklowski has extensive knowledge about the arts, museum and culture sectors, demonstrated throughout her career which includes senior roles at museums, libraries and archives across New Zealand and in Australia. 

Most recently, Ms Puklowski has served as the General Manager of Creative Arts and Cultural Services at the City of Launceston, a major portfolio including directing the Queen Victoria Museum and Gallery and developing a ground-breaking cultural strategy for the City of Launceston.

Ms Puklowksi holds a Master of Arts with Honours in Art History, which included studies in Australian Art, and postgraduate qualifications in Museum Studies. In 2009, she was accepted into the highly competitive Museum Leadership Institute program run by the Getty Foundation in Los Angeles.

In a quote attributed to her, Ms Puklowski says: “The events of 2020 reminded us all of the power of art to bring communities together and provide space for healing.

“I commend the Northern Territory Government for having a vision that puts Indigenous art and knowledge at the heart of Mparntwe, and indeed the country.

“The role of arts and culture in promoting better social, cultural, economic and community outcomes, and as a force for truth telling and healing, is something very close to my heart. The opportunity to drive this project is an honour and a privilege.”

 

Photo at top: screen capture from the NT Government’s promotional video for the gallery project.

Related reading

Government is recruiting for the national Aboriginal art gallery

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Spark dances with art


SPARK Youth Dance Company will perform its eight-dance Circuit Breaker in the grounds of McClelland Sculpture Park+Gallery, Langwarrin on Friday 9 April and Saturday 10 April.

Members of the audience will be able experience McClelland’s artworks in a new light as they move through the park to find and watch the dancers “explore themes of and beyond their years”, director  Alex Dellaportas said.

The company’s dancers, aged 14 to 23, have been working together since February.

Spark started in 2016, and its works have surprised and moved audiences with topical and emotive themes.

Circuit Breaker tickets available at: sparkproductions.org.au/circuitbreaker

First published in the Chelsea Mordialloc Mentone News – 31 March 2021

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Shepparton Art Museum offers public first look inside as they wait to see the final floors


The new Shepparton Art Museum (SAM) has opened its doors to the public for the first time, however they will still need to wait to see past the ground floor.

The ground floor which contains the Visitor Information Centre, Aboriginal art centre Kaiela Arts, and the museum’s shop are now open to the public.

However, levels two to four of the building will remain closed while work is still underway.

Chair of SAM Limited Stephen Merrylees said it would be worth the wait.

“Moving forward, they obviously are going to have to just wait a bit more and the eagerness will be well worth it in the end.”

With the officially opening of the building to take place in October, Mr Merrylees said there was a lot of work to do — including moving more than 4,000 pieces of artwork — before all four levels were open.

“We’ve got a plan for opening exhibitions. Some of that will involve the hanging of major artworks, cranes in here and everything,” he said.

Mr Merrylees said work was also ongoing in the search for an operator to take on the café and rooftop bar located inside the building.

He said the hit to the hospitality industry during COVID-19 has made it “doubly hard” to find someone.

“They see it as a great opportunity, but by the same token people in the hospitality industry are probably just more looking after our own backyard before they probably look further afield. So, it’s just trying to work within those parameters,” Mr Merrylees said.

Chair of Kaiela Arts, Bobby Nicholls, said it gave him great pride to see the centre in the new building.

“It’s sort of like your head is in the clouds, you’re overwhelmed in terms of what’s here now,” he said.

Vice-chair Belinda Briggs said the new space would give Kaiela Arts greater exposure to showcase their stories and share them with visitors.

“That’s the beauty of what we’re able to share here across Kaiela Arts and with the SAM collection.”

Mayor of Greater Shepparton City Council Kim O’Keefe said the museum opened a range of opportunities for the region. 

“This building speaks for itself and there’s a lot of hard work to be done to make this work for all our community, but I think we need to have aspirations to grow,” Cr O’Keefe said.

“This is a testament to how greater Shepparton should be moving forward. We need to have change, we need to have opportunity, we don’t want to stand still.”

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#Shepparton #Art #Museum #offers #public #wait #final #floors



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Geelong Contemporary Art Prize 2021


Geelong Contemporary Art Prize 2021

Geelong Contemporary Art Prize 2021Geelong Contemporary Art Prize 2021

2021 Geelong contemporary art prize

Saturday 29 May to Sunday 22 August 2021

Geelong Gallery

The 2021 Geelong contemporary art prize is a signature event that showcases the diversity and excellence of Australian contemporary painting practice.

In the Gallery’s 125th anniversary year the 2021 iteration is the latest in a series of acquisitive painting prizes that have been staged since 1938.

Through these prizes the Gallery has amassed an exceptional representation of Australian paintings whilst supporting contemporary practitioners.


❊ When & Where ❊

Date/s: Saturday 29th May 2021 – Sunday 22nd August 2021

Times: Monday to Saturday 10am–7pm & Sunday 10am–5pm

❊ Venue ❊

 Geelong Gallery  Events 14
Events
⊜ Little Malop Street Geelong | Map

Geelong GalleryLittle Malop Street, Geelong, , 3220

✆ Event: | Venue: 61 3 5229 3645

MyCity Save


❊ Be Social ❊

❊ Coronavirus (COVID-19) Update ❊

As Victoria takes action to stop the spread of coronavirus (COVID-19), events may be cancelled at short notice. Please confirm details before making plans | Disclaimer


❊ Web Links ❊

Geelong Contemporary Art Prize 2021


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Perfecting the art of effective customer communication in semi-remote work conditions


As Australia continues to settle into a post-pandemic world, it raises the bar for businesses to adapt and align their processes with evolving restrictions, changing conditions, and new consumer habits. This year will be defined as a “hybrid”: a half-in, half-out working environment that could become a fixture in the immediate future. In fact, Zoho research revealed that 50 per cent of Australia’s 2.35 million small businesses intend to make remote work their “new normal” even after COVID-19 restrictions end.

This more permanent working setup doesn’t only have ramifications on how a business runs but impacts the ways they build, maintain, and grow crucial customer relationships. Success, then, both today and long-term, is predicated not necessarily on ground-breaking tactics but on a commitment to an easily-ignored process: customer communication.

A business foundation built on effective customer communication

Well before the pandemic flipped the way we work on its head, many businesses were devising policies related to remote work or digital-first operations out of choice. That choice has become a necessity for many others, so it’s now crucial to build a business with strong communication weaved into its fabric.

Research from MIT found that communication was the single most important ingredient to successfully manage a transition to remote work. Meanwhile, the annual cost of poor communication for small businesses with 100 employees or fewer was over half a million dollars (AUD). So whether you’re a previously-bricks-and-mortar retailer now selling e-commerce only, or a small accountancy firm without a high-street office front, external communication is just as essential as internal.

To master the long-term transition, businesses must adopt tactics that will support efficient communication with customers. If your policies, offerings, contact details or anything else – big or small – has changed, communicate it. Customers are core to every business, but if they find it difficult reaching or interacting with your business, there’s nothing to stop them using a competitor. The basis for delivering strong communication, today, is technology.

Impactful customer experience powered by technology

When working remotely, creating a meaningful and lasting relationship with new and existing customers can be complicated. However, leveraging the right technology can make a world of difference. Supported by the power of digital tools, you can easily build trust despite uncertain situations by remaining accessible, responsive, and committed to staying in touch. Few things can replace face-to-face interactions, but if that’s no longer an option, virtual consultations or website chatbots can be far more effective in delivering fast, effective communication and building more meaningful relationships than, for example, email.

It’s important to remember that, in addition to what your customer sees and feels, the data that can be leveraged through technology allows you to understand customers on a deeper level – further strengthening your long-distance customer-business relationships. Consistency, too, is key, especially if you’re trying to build brand recognition through communication channels. Integration of messages, channels and software is far more effective than a siloed approach that utilises a plethora of technologies. Internal communication aids external communication, and software like a CRM (Customer Relationship Management) allows your business to understand every customer, and communicate with them through the most effective channels and messages.

Strong communication is not something you can set and forget. Maintain regular touchpoints, continuously ask for feedback and remain nimble, changing up your tactics to better serve your customers if needed. Good communication will not only assist with customer retention but customer acquisition too. It may sound simple, but in extraordinary times doing the basics well and leveraging the right tools can be one of the greatest competitive advantages available to small businesses.

Vijay Sundaram, Chief Strategy Officer, Zoho



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